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Top 20 Pop/Rock Songs from 1987

There was a noticeable drop off in the quality of the music from 1986 to 1987.  Many more of the Billboard Top 100 from 1987 had a gimmicky quality to them, and as a result they were pushed off the list.  The style of music was obviously changing as power ballads with great melodies and lyrics were replaced with trite dance tunes from groups like Wang Chung and others.  I found this list much harder to compile because many of the songs with sing-able melodies were, for lack of a better term, gay.  I found myself forcing songs like, “Somewhere Out There”, “Only In My Dreams”, “Never Gonna Give You Up”, and “Lady In Red” off the list for this very reason.  I have to be honest, most of the songs on this list would not have even been considered for the 1983-1985 lists, but you have to go with what you have.

20. “Open Your Heart”, Madonna– Madonna was hitting her stride when she released True Blue.  This song typified the dance music style that dominated her music for the next four or five years.  It is upbeat and causes you to tap you feet when you listen to it.  I chose it over the title track from this album.

19. “Faith”, George Michael– Speaking of gay, coming in at number nineteen we have this little ditty by George Michael that was one of the most popular songs of the year.  It definitely had a strong melody, and you almost have to move when you hear it.  By this time, George Michael had realized that Wham was nothing without him, so he decided to destroy them by leaving the band and going out on his own.  I found his flamboyant arrogance to be off-putting.

18. “Mony Mony”, Billy Idol– I found Billy Idol’s act fairly off-putting also, but much less gay than George Michael’s.  Idol came across as the guy with the biggest case of short-man’s syndrome in the music business.  He was always taking a swing at the screen, and his music often reflected this quality.  I put this song on the list because of its staying power and popularity on movie soundtracks.  Idol shouted his vocals more often than he sang them, but his songs were catchy if also very gimmicky.

17. “We’ll Be Together”, Sting– I like sting, and his tenor vocals quite a bit, but this would probably not even make my top ten songs featuring him.  It is very upbeat and different from most of his other stuff.  It is definitely quirky, and the video reminds me of later Janet Jackson material.

16.  “Electric Blue”, Icehouse– It took an Australian group to carry on the tradition of bands like Naked Eyes, The Thompson Twins and Simple Minds in 1987.  The keyboard sound is very 1980s as is the whole tone on the tenor vocals.  The girl in the video is also Hot!

15. “Bad”, Michael Jackson– Again, I found myself trying to keep this song off the list because of the whole pedophilia thing, but it was simply too big of a song for me to do so.  The tune is unmistakable as it begins with the guitarist hammering out six heavily distorted notes before the drums kick in.  There is no other song that is more associated with Michael Jackson.

14. “Pour Some Sugar on Me”, Def Leppard– This is one of those songs that I had no idea what the lyrics were.  I don’t even remember what crazy words I substituted for the actually lyrics, but I am sure they were funny.  It is the epitome of the rock anthem, and almost forces the listener to stand up and clap his hands above his head (very ’80s).

13. “Little Lies”, Fleetwood Mac– This instrumentation in this song is very 1980s from the keyboard, to the drums and the guitar.  As I have said earlier, I did not start listening to Pop/Rock music until the 1980s, and as a result I did not know anything about Fleetwood Mac’s earlier work.  I also did not like hype, so when they had their comeback in the ’80s, I was taken aback by all of the hype that went along with it.  This set me against them early on.  As I have grown older, I have realized that their music was pretty good.  Linday Buckingham has a nice voice, and the melody of the song is easy to sing along with.  I always said back then, that Stevie Nicks must have sold her soul to the devil (yes, I heard the witch rumors) for good looks and fame, because ‘Lord knows she can’t sing.”  That may have been a little harsh too.  She was nice to look at, but her voice had a very different tone to it.  It sounded like she was a smoker, but she hit her notes, and her tone still had a full sound.

12. “Wanted Dead or Alive”, Bon Jovi– The acoustic guitar part on this song is what makes the song.  Even the lead guitar has a picked sound that conveys the old west sound that is the point of the song.  Jon Bon Jovi is very affected, but that is what you get with these guys, and you should not expect anything else.  The song is very commercial, and has been used for products as well as theme songs for television programs.

11. “Don’t Dream It’s Over”, Crowded House– For anyone who grew up in the ’80s, this is known as the “hey-now” song.  As far as being able to sing along with a memorable melody goes, it does not get much better than this.  The baritone/second tenor voice of the lead singer is also easy to sing along with (at least for me).  His vocal has a very good tone to it, and the chorus is well backed by other singers.

10. “The Finer Things”, Steve Winwood– This is my personal favorite song by Winwood.  The keyboard and sax set a mellow mood at the beginning of the song.  Winwood has a pretty high voice, but the chorus is still good to sing along with, even if you have to sing an octave below him.  It is bubbly and upbeat but he keeps it from going the way of a group like Wham, for instance.

9. “(I Just) Died In Your Arms”, Cutting Crew– The staccato keyboard with the cello at the beginning of the song set a good 80’s mood for the song.  When the guitar and drums come in, it becomes a standard 80’s power ballad, and that’s a good thing.  The vocal is good, but I was creeped out when I read the Wiki for this song.  It says, “The words ‘I just died in your arms tonight’ originally came to Van Eede while he was having sex with his girlfriend [I’ll have to try that.  Usually I just think about baseball.], ‘death’ being an often-used metaphor for orgasm.”  This would be the lyrical equivalent of too much information.  However, I find his thought processes to be strange.  I know I’m not the one who usually thinks about death while I’m making love.

8. “Mandolin Rain”, Bruce Hornsby and the Range– Hornsby’s strong piano chops are highlighted throughout this song.  This song is cool and melow.  It in no way makes you want to do anything very active while you listen to it.  Hornsby’s vocals are excellent and easy to listen to.

I have a memory of this song associated with Six Flags Over Texas.  During my junior and senior years in high school, I had a car and a season pass to Six Flags ($44.00, greatness).  I would go all summer long, once or twice a week.  That year I remember that Six Flags had ponied-up and bought Bose speakers that piped music throughout the park, especially for those standing in line.  The only problem was that they only had about 25 minutes of music on the loop that they were playing, so you got to hear the same songs over and over as you stood in line all summer long.  “Mandolin Rain” was one of the songs, and I bet I heard it 1,000 times at the park that summer.  It says something that I still can listen to it and enjoy it today.

7. “In Too Deep”, Genesis– This was the second song released off their mega-album Invisible Touch, and it is clearly influenced by Collins’ extremely successful solo albums that were released prior to it.  The song is much slower and subdued than much of the older Genesis material.  It has a very nice acoustic quality that comes from dual acoustic guitars, and a grand paino.  It has one of my favorite vocals from Phil Collins, and I chose it over “Tonight, Tonight, Tonight”.

I went to the Invisible Touch concert when it came to Dallas.  Unfortunately, I was unimpressed.  “Mama” was dark and great, but, for the most part it was just a bunch of Abacab stuff, which I did not know at the time.  He did not even sing “Tonight, Tonight, Tonight” even though the concert was sponsored by Michelob.  He didn’t sing one Phil Collins’ song, and Mike and the Mechanics did not do any of their stuff.  I learned another thing that night.  You can have too many 10 minute drum solos in a concert.  There was no encore, and finally it was over.  I later heard that Collins’ was sporting a 102 degree temperature during the concert, but I still felt short-changed by the whole thing.

6. “(I’ve Had) The Time Of My Life”, Bill Medley and Jennifer Warnes– This is one of the best duets of the 1980s.  Bill Medley is better known as a Righteous Brother, and he can definitely bring the vocals.  The song’s popularity was increased by the fact that it was associated with the huge 80s chick flick Dirty Dancing.  The harmony is great, and the chorus builds to a point where the two singers sound enraptured.

5. “Alone”, HeartAnne Wilson and Heart continued their dominance of the mid-eighties with another of their signature power ballads.  The soft start with the piano/keyboard at the beginning of the song with Anne Wilson’s softer voice sounds great.  Then, chorus the powers in and provides the signature Heart sound.   If you want to win American Idol, do a great version of this song (see Carrie Underwood).

4. “The Next Time I Fall”, Peter Cetera and Amy Grant– In the summer of 1986, I got very involved with a youth group at one of the local churches in my home town.  I also got into CCM (Christian Contemporary Music for the heathens out there), just as it was hitting its zenith.  Amy Grant was the biggest name in CCM at the time.  As her popularity continued to grow, she began to experiment with crossing-over into popular music.  First, her Unguarded album failed to mention God anywhere, and many CCM fans noted that the songs could be as much about a boyfriend as about God.  Then, she actually released a few songs onto the secular (not Christain, again for you heathens) market.

I remember that there was actually a debate on the local radio station (KOJO, later KLTY) in Dallas as to whether her music should be played at all on their station any more.  I knew that these ideas were wrong-headed even as a pompous high school kid.  Christianity can be very divisive and counter to its own goals a lot of the time.  Here we had a young woman who could have drawn more people to their station and the religion by crossing-over into mainstream music, but the first thought was to drive her away.

It’s funny to listen to CCM today.  As sad as it has become, one thing is easy to see.  They have reversed their attitudes, and any secular song that could be reinterpreted with a positive Godly message is re-recorded by Christian Artists (almost always not as well as the original).

As far as the duet mentioned above goes, it was one of my favorites of the decade.  Cetera definitely has the lead role in the song, but Grant’s harmonies are what make it great.  She also looks good in the video.  The original version with the heavily synthesized keyboard sound was good, but there is a live version with a full orchestra that sounds even better.

3. “Will You Still Love Me?”, Chicago– Fans of any successful group in the 80s would wait on pins and needles for the inevitable news that their favorite band had broken up (or a key member had died).  The worst part was that it was often career suicide for all involved.  This, however, was not the case for Peter Cetera and Chicago.  He left the band shortly after it finished recording Chicago 17 in 1985, but both he and the band experienced great success with their next albums.  Chicago replaced Cetera with Jerry Scheff and picked up right where they left off recording great love songs and power ballads.  “Will You Still Love Me” is a great example of one of these.  Scheff actually sounds a lot like Cetera on the vocal, and the keyboard/piano led instrumentation picks up right where Chicago 17 left off.  The orchestral backing on the song sounds great, but the strings and light horns do not deliver the standard “Tower of Power” horn sound that is expected from Chicago.

2. “Doing It All For My Baby”, Huey Lewis and The News– Once again, Lewis delivered the be-bop style that his fans looked for.  I love the horns and Hammond organ sound at the beginning and throughout the song.  Lewis’ vocal is as good as ever.  Topping out at #93 on the Billboard Top 100 for the year, this song is easily the most underrated song of his career.  I have a tip for anyone who wants to hear this song.  Download it from Itunes.  The video is 7:53 long, it is horrible, and you will never be able to get that part of your life or the part of you that died as you watched it back.

1. “With Or Without You”, U2– I explained on an earlier post that I was not a fan of U2 in the 80s, and I don’t even know why.  Let me say now, that if for no other reason than their two big songs of 1987, “With Or Without You” and “I Still Haven’t Found What I’m Looking For”, they are a great band.  I committed at the start of this not to put more than one song from a given group on any year’s list, but either one of these two songs would have held the top spot in 1987.  I had a hard time choosing which one I like best, and it came down to popular culture and the inclusion of “With or Without You” in the seminal episode of Friends that made the decision for me.

Top 20 80s Pop/Rock Songs (Category)

Top 20 1980’s Pop/Rock Songs By Year (Criteria)

Top 20 Pop/Rock Songs from 1980

Top 20 Pop/Rock Songs from 1981

Top 20 Pop/Rock Songs from 1982

Top 20 Pop/Rock Songs from 1983

Top 20 Pop/Rock Songs from 1984

Top 20 Pop/Rock Songs from 1985

Top 20 Pop/Rock Songs from 1986

 

 

Top 20 Pop/Rock Songs from 1986

20. “My Hometown”, Bruce Springsteen– I wasn’t a big Springsteen fan when I was growing up, and I’m still not.  While I consider myself to be a patriotic American, I found his trademark anthem “Born in the U.S.A.” to be way too affected for my tastes.  However, I have to admit that I like some of his slower stuff.  This song has a nice nostalgic message and a cool electric organ part.  Springsteen keeps a nice tone to his vocal throughout the song.  It actually reminds me more of a Billy Joel song in style and lyrics.

19. “The Way It Is”, Bruce Hornsby and the Range– The keyboard part sets the mood at the beginning of this song.  Then, it gets even cooler (word?) when the drums and the rest of the band come in with a jazzy feel.  Hornsby has a nice tone to his voice and just enough grit to keep it serious.  The song has a very pretty, whole sound, but the tempo keeps it from being easy listening.  The most interesting thing about this song is that it tackles a very unusual subject for eighties pop: racism and the American Civil Rights Movement.  You would never get that from the tune and tone of the song.

18. “Stuck With You”, Huey Lewis and The News– This song continued Lewis’ string of hits throughout the mid-eighties.  The video for the song was dreadfully cheesy even though it did have a hottie, but the bee-bop style gave fans of the band exactly what they had grown to expect from them.

17. “Human”, Human League– This song reminds you of “Shout” by Tears for Fears with a forceful beginning and dark baseline, but then the keyboard comes in and lightens the mood considerably.  To call this band androgynous would be an understatement.  Tammy Fae is only slightly less made up than the lead singer.  The tone to the vocal and the DX7 keyboard make the song.  The spoken word in the middle a little cheesy.

16. “Greatest Love Of All”, Whitney Houston– Whitney Houston hit her stride with this song.  She is a powerhouse and the song is a showcase for her vocals.  The tender, positive message of the lyrics was refreshing and different from most of her love songs.  The song makes even more sense when you know that the writer was a mother with terminal breast cancer.  I chose over it “How Will I Know” which also charted the same year.

15. “Glory Of Love”, Peter Cetera– This was the first song released by Cetera after he left Chicago and was released on his Solitude/Solitaire and again on the soundtrack to the Karate Kid Part II for which it earned him an Oscar and a Golden Globe.  It is a power ballad in the Cetera/Chicago style, and features his unmistakable tenor vocals.  The piano and string parts round-out the song nicely.  The horns in the song are quite different from those to be found in a traditional Chicago song, and are much more orchestral in tone, but they go well.

14. “Take Me Home”, Phil Collins– The staccato percussion at the beginning of the song sounds like rain in a good way, but by the time the song hits the chorus it has sort of an anthem quality.  This is more easily understood when one realizes that the full sound of the vocals is bolstered by both Sting and Peter Gabriel among others.  Most people associate the song with fond memories of home, but Collins claimed that it was about a patient in a mental institution and likened it to One Flew Over the Cuckoo’s Nest.

13.  “Livin’ On a Prayer”, Bon Jovi– The anthem style of this song and the bass line make you tap your toes as you sing along.  It is really just a straight up rock & roll song with Jon Bon Jovi singing in his quasi rock/metal style.  This song has become the trade mark of the band, and experienced a revival during the weeks after the September 11 attacks in 2001.

12. “Alive and Kicking”, Simple Minds– It was clear from the production value of the video, that the band had a budget of about 50 cents to spend on it, but I was afraid while watching it that the bassist would fall off the edge of the cliff that he was standing on.  As for the song, it continued with the same style that their mega hit from the year before, “Don’t You Forget About Me,” delivered.  The vocal is strong and clear, the percussion continues to deliver a punch, and the piano solos are memorable.

11. “If You Leave”, Orchestral Manoeuvres In The Dark– The vocal is very much like the one found in the previous listing for Simply Minds.  It has the same strong whole tone to it.  However, the whisper quality that the vocals take on when they get to the chorus makes the song more interesting.  The synth-keyboards drive the song from beginning to end with a nice sax solo thrown on the middle.

10. “No One Is To Blame”, Howard Jones– There are several incarnations of this song out there.  My favorite is the one that starts out with the light percussion and keyboard.  It is really nice to listen to.  Jones voice, as always, sounds great on the song.  I think that Howard Jones may be the most underrated artist of the 1980s.

9. “True Colors”, Cyndi Lauper– She may have been hard to look at, but Cyndi Lauper could deliver a great song when she tried in the middle 1980s when she tried, before the drugs destroyed her career.  “True Colors” was the first single released of her follow-up to her mega album, She’s So Unusual, and was the title track.  It was the only good song on the album, but it was a very good one.  The soft guitar with percussion that is the main instrumentation throughout the song is very nice, as is the soft tone of Lauper’s voice and her ability to deliver emotion.  If you are going to listen to her version of the song, you need to know, that she has very little diction, and her dress in the video makes it unwatchable.  However, the lyrics are what make this song truly great, and I have sung it to my daughter since she was a tiny baby.  It has proved its staying power by being used in ad campaigns by seven different products world-wide.  I would like to know how much money she made off of Kodak alone.

8.  “Higher Love”, Steve Winwood– This song has an upbeat island quality to the rhythm and the instrumentation.  Winwood’s vocal is kind of a Bill Medley meets Huey Lewis sound.  It has a little edge, but still a good tenor tone to it. The backing vocals are great, and remind me Howard Jones’ back-up singers.  The music video, once again, looks like someone spent about a dollar on it, but for some reason MTV nominated it for an award, which it did not win.

7. “Your Love”, Outfield– This song has a cool rock & roll feel to it, and the vocals sound great.  The lead singer’s voice goes so high that it is practically impossible to sing along with, unless you sing an octave lower than he does, but it is still one of my favorite 80s songs.  It is the most tender song ever written about a guy who just wants to screw a girl behind his girlfriend’s back without any consequences.  How could a girl possibly say no to a proposal like that?

I have a memory that sort of goes along with this song.  The stars had aligned in the summer of 1986.  My favorite band, Journey, had gotten back together with Steve Perry to produce their last decent album, Raised on Radio.  It, of course, was no where near as good as their precious stuff, but I rushed out to buy it, and quickly knew every song.  Journey was coming to Dallas that summer, and I rushed out to buy my tickets.  It got even better, their opening act was slated to be The Outfield, my favorite new group.  Greatness.

Tragedy struck a few weeks before the Dallas concert.  Apparently, A bass amp fell on the head of a member of The Outfield, and they were scratched from the Dallas show.  Glass Tiger of “Don’t Forget Me When I’m Gone” fame was inserted in their place.  I don’t know why, but I have always been bitter that I had Glass Tiger foisted on me instead of getting to hear The Outfield.

To be honest, Glass Tiger was pretty cheesy in concert.  The lead singer had the whole 80s big curly hair thing going on, and the white, rocker, sequined-jacket worn open with no shirt underneath.  He sat down on the edge of the stage and blatantly pandered to the girls in the front row as if they were actually there to see him.

My bitterness was pretty focused by then.  My seats were on the second row on the left side of the stage, and there was a gangway for the singers to walk almost up to where we were sitting right in front of us.  I had my lighter, as all good fans at a concert did in those days, and when he made his way up the gangway right in front of me, I lit the lighter, and threw ‘the bird’ (flipped him off) up for him to see in perfect backlight.  He did not even make it to the end of the gangway, but immediately turned around, and went to the gangway on the other side of the arena where he sang for some time.  Giggle.

I still have hardness in my heart toward this band for upstaging The Outfield (even if they really had nothing to do with it), and that is probably why they did not make my list.

6. “Never”, Heart– Heart continued their dominance as the biggest female group of the 1980s with “Never.”  I chose this or over the softer, “These Dreams” because it was a much bigger it, but they are both great songs.  Anne Wilson’s voice dominates this song, as it does all Heart songs.  This is another song that can be heard yearly on American Idol, and it usually either makes or breaks the contestants.

5.  “West End Girls”, Pet Shop Boys– I had to have at least one song from the Pet Shop Boys on my lists, and that song had to be West End Girls.  The bass-line is the most memorable part of this song.  It has a funky quality to it, and the vocal, while spoken in the verses, has a nice tone in the chorus.  The song and lyrics are obviously concerned about something, but I was never quite sure what it was until I read on Wiki, that the song is a social commentary “inspired by T.S. Elliot’s poem The Waste Land.”

4.  “Sledgehammer”, Peter Gabriel– This song would probably make anyone’s top 10 songs of the 80s list.  It was everywhere in the summer of 1986.  The surreal quality of the video and the cool stop-motion animation make it arguably the best music video ever.  It has won the most MTV music video awards (nine), and is the most played video ever (according to MTV).  Gabriel sings with a quirky style, and is backed by a big band funky horn section that sounds great.  The Japanese synthesized flute solo in the middle of the song always makes me think of dancing chickens.  The R&B background singers at the end of the song are also very good.

3.  “Addicted To Love”, Robert Palmer– This was another great 80s song and video.  You only have to hear one Robert Palmer song to know his rock & roll style, and you only have to see one of his videos to understand his main marketing technique: Sexy girls in semi sheer black tights and no bras sell.  And, boy do they.  I was a pretty traditional guy growing up in the 80s.  I liked the hot, pretty girl, and I was always turned-off by the hot, dirty or skanky girl.  When Robert Palmer came along with his pseudo-gothic girls, I was faced with a dilemma.  Those girls were definitely not traditional, but they were also definitely hot.  Eventually, I stopped wondering why, and decided to just enjoy the show.

2.  “Broken Wings”, Mr. Mister– I made these lists a while ago, and have been writing the blurbs about each one as I prepare to publish them.  When I went back to the 1986 list, I immediately realized that I had made a mistake.  One of my rules from the beginning was that I was not going to put more than one song from any group on the same list.  However, when I opened the 1986 list back up, I realized that I had two songs from the same group at the #2 and #3 spots.  It was just a careless error, but it underscored to me how much I liked both of these songs when I tried to decide which of them to actually include at #2.  In the end “Broken Wings” barely beat-out “Kyrie.”  The iconic bass line with the brush on snare at the beginning of the song let you know what song you listening to from the first couple of notes.  Together with the keyboards, they give the song an eerie and ethereal feel.  The vocal has a whole and strong tone that is easy to sing along with, and when it gets to the “Let us in…” lyric, it soars (good effect in a song about wings).

1.  “Say You, Say Me”, Lionel Richie– This is my personal favorite song by Richie.  The lyrics have a positive message about people getting along and understanding each other.  It was in the great date movie, White Nights for which it earned an Oscar and a golden Globe, but did not appear on the soundtrack.  Richie released the song on his Dancing on the Ceiling album after it had already hit number one in December the year before (1985) as a single.  The music has a creepy, reverb quality that is highly synthesized, but it is the vocal that is great.  If I hear this song on the radio today, I can’t help but sing with it, and when it is over, I always want to hear it again.  Greatness.

Top 20 80s Pop/Rock Songs (Category)

Top 20 1980’s Pop/Rock Songs By Year (Criteria)

Top 20 Pop/Rock Songs from 1980

Top 20 Pop/Rock Songs from 1981

Top 20 Pop/Rock Songs from 1982

Top 20 Pop/Rock Songs from 1983

Top 20 Pop/Rock Songs from 1984

Top 20 Pop/Rock Songs from 1985 

Top 20 Pop/Rock Songs from 1987

New Nicknames for some of the Cowboys

Yesterday, I watched as once again, it was proved that it is more important to have heart than talent.  It was the poorest showing by a Cowboy team in the biggest game that I can remember.  The worst part is that this team is indeed very talented, and this year, the NFL is as wide open as I ever remember it.

As I sat watching the game (if you want to call it that), I cam up with some nicknames that I thought might be appropriate for several of the players that graced the Cowboy’s roster this year.  Enjoy:

Tony Romo– “Intentional Grounding Gump“-  There is so much to consider with this guy.  He can not seem to hit the broad side of a barn, and when ever teams keep him in the pocket, he has no idea what he should do.  The whole ‘golly-gee’ bit was cute at first, but he needs to realize that he is now a $60,000,000 quarterback on the biggest team in sports.  I really wonder about how bright he really is.  I keep expecting him to tell Adrea Kramer that ‘life is like a box of chocolates.’

T.O.- “Big Mouth”–  Shut up and catch the ball every now and then.

Roy Williams- “Big Nothing”- And, that’s exactly what the Cowboys got for their trade with the Lions.

Flozell Adams- “Big Early”- No one commits as many illegal motion penalties as the big guy.

Jason Witten- “Little Early”- No one, that is, except for our starting tight end.

Andre Gurode- “Surprise!”- He has the uncanny ability to surprise defenses as well as his own quarterback with his ill-timed snaps.  And, if Romo looks ready, he’ll just snap it right over his head.

Nick Folk- “90 Degrees”- Possesses the strange quality of being able to kick the ball at a right angle.  This is not so bad for Cowboy fans though, because in this case the opposing team only gets to start on the 40 yard line.

Sam Paulescu- “Minus 20”-  This name refers to the 20 yards that the Cowboys give up in field position because this guy is punting instead of Matt McBriar.

Pacman Jones- “Latitude”- He only runs East/West.

Terrence Newman- “Tunnel Vision”-  This refers to Newman’s innate ability to stick to a receiver like glue. watching his eyes intently as the ball sails over his own should and into the receiver’s arms.

Miles Austin- “What The Hell Were You Thinking On That Pitch!”

Feel free to leave any that you might think of.

Does the Constitution Say Anything About Grooming Issues?

There are several reasons that it would be good to go back to the 1950s.  One of these involves grooming issues.  Back then, a man wore his hair short, the only way his barber knew how to cut it.  Of course, there was the occasional ‘greaser,’ but even those guys had nice hair by today’s standards.

It was the 60s and hippies that destroyed hair in America.  The 70s were just an extension of the 60s and in the 80s hairstyles were just a mistake.  It took us until the end of the 1980’s and the introduction of the show “Friends” to finally get a handle on hairstyles once again.

In the last few years, for the most part hairstyles have improved, except in one area, the dreadlock.  Dreadlocks are way out of hand.  This phenomenon seems to have come out of the sports world, and proliferated itself on the heels of the institution of the ‘Emmitt Smith Rule’ in which players were no longer allowed to remove their helmets in the field of play.

Players like Troy Polamalu have started to wear dreadlocks so long that they come out of their helmets and go significantly down their backs.  The problem is that the league did not deal with this issue early on.  There are several reasons for the league to outlaw this nonsense:

  1. It’s unsightly.  It just looks bad.
  2. It’s not part of the uniform.  In a league where you can be fined for not wearing your socks in the correct manner during a game, It seems to be a little hypocritical to allow a player to wear his hair so long that neither the player’s number nor his name can be seen clearly.
  3. It is either dangerous or unfair.  I believe that it is dangerous to tackle these players by the hair (though it could serve as an effective deterrent).  It could easily break a neck, but on the other hand, it is unfair to protect these players against being tackled by their hair as it covers their whole back in some cases.  There was actually a flag thrown for unsportsmanlike conduct in a Cowboys/Steelers game when Polamalu was tackled in this manner after an interception.

Of course, this is all bogus, and the league will have to deal with it eventually.  Now, the player’s union has become involved in support of the players who want ridiculously long hair, and the league has allowed the argument to be changed into a racial issue.  This will make it much harder to deal with.

A similar subject occurred this week when a court allowed a Rastafarian to sue his employer, Jiffy Lube over a new policy that required employees to be clean-shaven.  He is suing on religious grounds.  I do not see how this lawsuit (which was dismissed once already) can be allowed to go forward.  There is no inherent right to dress the way you want to in the workplace.  Many jobs require their employees to wear uniforms, and most county health departments will not allow employees at restaurants to have facial hair.  What happens when a Muslim woman claims that she must wear a head-covering in her job at a bank, for instance?  Or, what if some kooky religion that bans clothing comes along?  Will we then be forced to employee a naked nurse (I actually support this in some cases)?  The implications are huge, and as we all know, in the civil courts in America precedent is everything.  Once Pandora gets out of this box, we are all in trouble.

In closing, Get A Haircut!

NFL Rightly Suspends Players for Doping

I became incensed yesterday when, while listening to the radio, I heard “The Goose,” a local Dallas newspaper reporter known for his own self-assuredness on a radio show with local talk show host Norm Hitzges.  In this weekly segment, Norm had asked about the looming suspensions for the NFL players who had recently tested positive for steroids.  The Goose in his somewhat cocky life persona informed Norm that the six players (running back Deuce McAllister and defensive linemen Charles Grant and Will Smith of New Orleans; defensive linemen Kevin and Pat Williams of Minnesota; and long snapper Bryan Pittman of Houston) would not be suspended until the beginning of next season.

My immediate reaction to this was to day, “What the hell?”  This made absolutely no sense whatsoever to me. 

He continued his argument by saying that to suspend these players at this time (going into the playoff run) would be unfair to other players on teams like Minnesota that would arguably be devastated by any such move.  I immediately thought, “But, they cheated in this season, and their teams benefitted from it.”  Any suspensions should rightfully be handed down in the season in which the cheating (and that is exactly what it is) occurred.  As far as the team goes, if they did not create an atmosphere in their own locker room in which this kind of thing would not be considered, then it is on the team also.

Of course, there is no way to really fix the problem.  All of the teams that had to play early in the season against a strong Minnesota run defense anchored by a couple of cheaters had a tougher time than some teams possibly in their own divisions (or possibly in a race for the playoffs) will have from this point on, and none of that is taken into account when it comes to tie-breakers.

So, when I woke up this morning and discovered that The Goose was once again talking out of his ass, and the commissioner had rightly suspended all of these players for the rest of the season, I felt better.  Good for Goodell.

Things that I am Thankful for

As I edge toward Thanksgiving Holiday, I ask myself what it is that I am actually thankful for.  Daily, it seems that we are being bombarded with news of the bad economy, and being a Republican is nothing like it was a decade ago, but here goes.

I am thankful that I am a Christian.  I may not hold to many of the more fundamentalist (or liberal) views of modern Christian denominations, but I believe that Christ died for my sins, and am thankful that my God is a god of grace who loves me in spite of my many failings.

I am thankful for my family.  I am thankful for my lovely wife and my wonderful little daughter.  Every day is a new adventure when you have a two year old.  My wife and I may be a good pair, but it is the little girl that completes both of us.

I am thankful for the grandparents.  My mom is wonderful with my daughter, and she does everything thing she can to help us through the everyday life situations that sometimes come up.  My in-laws are also great.  This year, there were a couple of times when I had to work some extended hours (once I put in an extra 155 hours in a month).  My mom and my in-laws really came through by coming to stay with us for weeks at a time so that the baby would not have to be in day care for eight hours a day or more.  To top that all off, this summer while I was having to work so many hours, my father-in-law practically put in a bar that I had been planning to do by himself, and it looks as good as a master carpenter could do.

My sister, her husband and my niece who is slightly older than my daughter are also a blessing.  We will not be spending Thanksgiving together this year because we will be at the in-law’s house, and my sister, who would normally be at her in-law’s house, will be staying at home because she is pregnant with what will be my new nephew.  Yeah!

I am thankful that I was born an American in Texas and in the Dallas area.  There is no place I’d rather be.

I am thankful for my education, the fact that I have a good job, and a good boss who appreciates the work that I do, and I am thankful that I have a customer base that, for the most part is easy to work with.

I am thankful that my wife likes some of the programming that I like to watch on television, and that she is willing to sit beside me and act like she likes some of the other programming that I watch.  I am also thankful that I live in the age of the DVR.

I am thankful that I live in an area that has a lot of sports related outlets.  Between, the Cowboys, Rangers, Stars and Mavericks, Dallas covers the sports world well, but it would be nice to see a World Series come through here.  We even have a professional soccer team, FC Dallas.  There are also three professional minor league baseball teams, several universities, and Texas high school football to satiate the sports fan.  And, of course we have the best local sports radio in the country, Sports Radio 1310, the Ticket.

I am thankful that I live in a safe, affordable neighborhood with good schools that my daughter will one day attend.

I am thankful that Texas still does not have a state income tax.

I am thankful that I have a few friends that go back as far a high school, and that I know I can trust at least one of them with pretty much anything.

I am thankful that I will not have to do anything to assist with the cooking of Thanksgiving dinner this year, and I am thankful that my father-in-law finally paid for the local channels to be put on his Dish Network plan so it will not be snowing during all of the football games that I plan to watch this week.

I am thankful that I live in a time, and in a country where I can publish any opinion that I wish to anyone in the world who wishes to read it, for free (thanks, WordPress).  Being a student of history, I know that freedom of speech has been a rarity throughout the history of mankind, and I respect a person’s right to have an opinion even if I do not agree with what the person is saying.

I could go on forever, but suffice it to say, I am thankful.