Another story involving privates and death: the unfortunate demise of Kung Fu

It’s a cliché.  Mothers encourage their children to make sure they have clean underwear on.  Why?  Because, you don’t want someone to see your dirty underwear if you get into an accident. 

Of course, mothers do not say this because they want to keep you from being embarrassed.  If you are in a car accident the force of which rips your pants right off of you, exposing your dirty underwear, you are probably not in a position to worry about how bright and white they are at that point.  In fact, if you see it coming, you’ll probably carpet bomb your boxers anyway.

The point is: your mom’s not worried about how this stuff will affect you, she’s worried about what other people will think about her.  But, in the end she’s right.  You should not embarrass your mother or anyone else who knows you by having the world exposed to your dirty underwear.

I guess it’s pretty obvious at this point that David Carradine’s mother never had this conversation with him.

Yesterday, it was reported that Carradine was found hanged in a hotel room in Bangkok.   This in itself immediately throws up a red flag.  At one point, it was reported that it was a homicide.  Then, later it was reported as a suicide.  At the end of the day, I saw a report that he was also found nude.  Nude…, hanging…, Thailand….  You knew at that point it was going to be sordid.

So, today we awoke with a start to find out that he was found nude in a closet with shoelaces tied around the closet rod, his neck, and his penis…alone.  [shudder]  This is never good.

The world will never be able to hear the phrase, “Snatch the pebble from my hand” without giggling again.

The Foxnews story doesn’t get any better.  Several things in it caught me as interesting.  First, the name of police spokesman who commented on the case was Lt. Gen. Worapong Chewprecha.  Greatest name ever.

The second odd thing was the options given as a cause of death.  “The two ropes were tied together,” he said. “It is unclear whether he committed suicide or not or he died of suffocation or heart failure due to an orgasm.”  I’ll bet Carradine’s mother would not choose the oragasm option.

I found the following quote interesting.  “All we can say is, we know David would never have committed suicide,” said Tiffany Smith, of Binder & Associates, his management company. “We’re just waiting for them to finish the investigation and find out what really happened. He really appreciated everything life has to give … and that’s not something David would ever do to himself.”  I think the obvious question at this point is; Is anyone in a position claim to know what motivated Carradine and what he was capable of ‘doing to himself’ at this point?

Finally, he was 72.  I guess if people are going to continue to prove that they are incapable of knowing when its time to leave their privates alone, we will have to legislate the point at which the privates are no longer allowed to be used for sexual functions.

In a related story, residents of Conisbrough, South Yorkshire, England in a failed attempt to balance to karmic implications of the Carradine imbroglio have changed the name of Butt Hole Road to Archers Way.

American Idol Results Show Top Seven Wednesday, April 15, 2009 Season 8

Find my latest American Idol article here.

The group song tonight was Maniac, and it was obvious that they were lip-synching again.  It even sounded like they had enhanced the sound by adding extra vocal tracks.  With the justification that the Idol producers have used for this so far, I wonder if they will keep doing it when they go on tour.  It’s the same thing.

I try to ignore all of the product placement and cross-promotion on the show, but they waste an incredible amount of my time doing it.

Jennifer Hudson was the first musical guest this evening.  Compared with some of the other tripe they have been rolling out on the Idol stage in recent weeks, she was great.  It was not my favorite style of music, but I would not turn it off if it was playing on the radio.  I cannot say as much for Lady Gaga or Flo Rida.

Miley Cyrus was the next musical guest.  It started better than any of the non-idol related guests that they have had in weeks.  It sounded very country which was good, but she had some big diction issues and sounded pretty nasally on the chorus.  I will take this over most of the other guests that they have foisted on us lately.

I was surprised to see that Allison was not in the bottom three, not because she did badly, but because her song was a little boring, and there were so many other contestants that did well last night.  I was even more surprised to see Anoop in the bottom three.  He was very good last night.  No one was surprised to see Lil in the bottom three.  Finally, I was expecting Matt to be in the bottom three, but at this point it was just a numbers thing.  Anoop got to sit down first, as it should have been.  I was surprised and saddened to see Lil stay and see Matt told that he had the least votes.

However, I did not think that they should have used the save on him.  The save, as I understand it was intended to right a wrong, and save a contestant that had a chance of winning the competition.  Matt was not this.  Simon said so, but the hens (Paula and Kara) were cackling and soon it was clear that they would be using the save.

I told a friend earlier this week that I believed that judges would use their save no matter what happened just because they had one regardless of the viewer’s vote even if the contestants were voted off the show in the order that they should have been.  Nothing good will come of this, mark my words.  Now there is almost a thirty percent chance that one of the really good contestants will go home next week, and next week is disco week.  Pathetic.

Top 20 Pop/Rock Songs from 1987

There was a noticeable drop off in the quality of the music from 1986 to 1987.  Many more of the Billboard Top 100 from 1987 had a gimmicky quality to them, and as a result they were pushed off the list.  The style of music was obviously changing as power ballads with great melodies and lyrics were replaced with trite dance tunes from groups like Wang Chung and others.  I found this list much harder to compile because many of the songs with sing-able melodies were, for lack of a better term, gay.  I found myself forcing songs like, “Somewhere Out There”, “Only In My Dreams”, “Never Gonna Give You Up”, and “Lady In Red” off the list for this very reason.  I have to be honest, most of the songs on this list would not have even been considered for the 1983-1985 lists, but you have to go with what you have.

20. “Open Your Heart”, Madonna– Madonna was hitting her stride when she released True Blue.  This song typified the dance music style that dominated her music for the next four or five years.  It is upbeat and causes you to tap you feet when you listen to it.  I chose it over the title track from this album.

19. “Faith”, George Michael– Speaking of gay, coming in at number nineteen we have this little ditty by George Michael that was one of the most popular songs of the year.  It definitely had a strong melody, and you almost have to move when you hear it.  By this time, George Michael had realized that Wham was nothing without him, so he decided to destroy them by leaving the band and going out on his own.  I found his flamboyant arrogance to be off-putting.

18. “Mony Mony”, Billy Idol– I found Billy Idol’s act fairly off-putting also, but much less gay than George Michael’s.  Idol came across as the guy with the biggest case of short-man’s syndrome in the music business.  He was always taking a swing at the screen, and his music often reflected this quality.  I put this song on the list because of its staying power and popularity on movie soundtracks.  Idol shouted his vocals more often than he sang them, but his songs were catchy if also very gimmicky.

17. “We’ll Be Together”, Sting– I like sting, and his tenor vocals quite a bit, but this would probably not even make my top ten songs featuring him.  It is very upbeat and different from most of his other stuff.  It is definitely quirky, and the video reminds me of later Janet Jackson material.

16.  “Electric Blue”, Icehouse– It took an Australian group to carry on the tradition of bands like Naked Eyes, The Thompson Twins and Simple Minds in 1987.  The keyboard sound is very 1980s as is the whole tone on the tenor vocals.  The girl in the video is also Hot!

15. “Bad”, Michael Jackson– Again, I found myself trying to keep this song off the list because of the whole pedophilia thing, but it was simply too big of a song for me to do so.  The tune is unmistakable as it begins with the guitarist hammering out six heavily distorted notes before the drums kick in.  There is no other song that is more associated with Michael Jackson.

14. “Pour Some Sugar on Me”, Def Leppard– This is one of those songs that I had no idea what the lyrics were.  I don’t even remember what crazy words I substituted for the actually lyrics, but I am sure they were funny.  It is the epitome of the rock anthem, and almost forces the listener to stand up and clap his hands above his head (very ’80s).

13. “Little Lies”, Fleetwood Mac– This instrumentation in this song is very 1980s from the keyboard, to the drums and the guitar.  As I have said earlier, I did not start listening to Pop/Rock music until the 1980s, and as a result I did not know anything about Fleetwood Mac’s earlier work.  I also did not like hype, so when they had their comeback in the ’80s, I was taken aback by all of the hype that went along with it.  This set me against them early on.  As I have grown older, I have realized that their music was pretty good.  Linday Buckingham has a nice voice, and the melody of the song is easy to sing along with.  I always said back then, that Stevie Nicks must have sold her soul to the devil (yes, I heard the witch rumors) for good looks and fame, because ‘Lord knows she can’t sing.”  That may have been a little harsh too.  She was nice to look at, but her voice had a very different tone to it.  It sounded like she was a smoker, but she hit her notes, and her tone still had a full sound.

12. “Wanted Dead or Alive”, Bon Jovi– The acoustic guitar part on this song is what makes the song.  Even the lead guitar has a picked sound that conveys the old west sound that is the point of the song.  Jon Bon Jovi is very affected, but that is what you get with these guys, and you should not expect anything else.  The song is very commercial, and has been used for products as well as theme songs for television programs.

11. “Don’t Dream It’s Over”, Crowded House– For anyone who grew up in the ’80s, this is known as the “hey-now” song.  As far as being able to sing along with a memorable melody goes, it does not get much better than this.  The baritone/second tenor voice of the lead singer is also easy to sing along with (at least for me).  His vocal has a very good tone to it, and the chorus is well backed by other singers.

10. “The Finer Things”, Steve Winwood– This is my personal favorite song by Winwood.  The keyboard and sax set a mellow mood at the beginning of the song.  Winwood has a pretty high voice, but the chorus is still good to sing along with, even if you have to sing an octave below him.  It is bubbly and upbeat but he keeps it from going the way of a group like Wham, for instance.

9. “(I Just) Died In Your Arms”, Cutting Crew– The staccato keyboard with the cello at the beginning of the song set a good 80’s mood for the song.  When the guitar and drums come in, it becomes a standard 80’s power ballad, and that’s a good thing.  The vocal is good, but I was creeped out when I read the Wiki for this song.  It says, “The words ‘I just died in your arms tonight’ originally came to Van Eede while he was having sex with his girlfriend [I’ll have to try that.  Usually I just think about baseball.], ‘death’ being an often-used metaphor for orgasm.”  This would be the lyrical equivalent of too much information.  However, I find his thought processes to be strange.  I know I’m not the one who usually thinks about death while I’m making love.

8. “Mandolin Rain”, Bruce Hornsby and the Range– Hornsby’s strong piano chops are highlighted throughout this song.  This song is cool and melow.  It in no way makes you want to do anything very active while you listen to it.  Hornsby’s vocals are excellent and easy to listen to.

I have a memory of this song associated with Six Flags Over Texas.  During my junior and senior years in high school, I had a car and a season pass to Six Flags ($44.00, greatness).  I would go all summer long, once or twice a week.  That year I remember that Six Flags had ponied-up and bought Bose speakers that piped music throughout the park, especially for those standing in line.  The only problem was that they only had about 25 minutes of music on the loop that they were playing, so you got to hear the same songs over and over as you stood in line all summer long.  “Mandolin Rain” was one of the songs, and I bet I heard it 1,000 times at the park that summer.  It says something that I still can listen to it and enjoy it today.

7. “In Too Deep”, Genesis– This was the second song released off their mega-album Invisible Touch, and it is clearly influenced by Collins’ extremely successful solo albums that were released prior to it.  The song is much slower and subdued than much of the older Genesis material.  It has a very nice acoustic quality that comes from dual acoustic guitars, and a grand paino.  It has one of my favorite vocals from Phil Collins, and I chose it over “Tonight, Tonight, Tonight”.

I went to the Invisible Touch concert when it came to Dallas.  Unfortunately, I was unimpressed.  “Mama” was dark and great, but, for the most part it was just a bunch of Abacab stuff, which I did not know at the time.  He did not even sing “Tonight, Tonight, Tonight” even though the concert was sponsored by Michelob.  He didn’t sing one Phil Collins’ song, and Mike and the Mechanics did not do any of their stuff.  I learned another thing that night.  You can have too many 10 minute drum solos in a concert.  There was no encore, and finally it was over.  I later heard that Collins’ was sporting a 102 degree temperature during the concert, but I still felt short-changed by the whole thing.

6. “(I’ve Had) The Time Of My Life”, Bill Medley and Jennifer Warnes– This is one of the best duets of the 1980s.  Bill Medley is better known as a Righteous Brother, and he can definitely bring the vocals.  The song’s popularity was increased by the fact that it was associated with the huge 80s chick flick Dirty Dancing.  The harmony is great, and the chorus builds to a point where the two singers sound enraptured.

5. “Alone”, HeartAnne Wilson and Heart continued their dominance of the mid-eighties with another of their signature power ballads.  The soft start with the piano/keyboard at the beginning of the song with Anne Wilson’s softer voice sounds great.  Then, chorus the powers in and provides the signature Heart sound.   If you want to win American Idol, do a great version of this song (see Carrie Underwood).

4. “The Next Time I Fall”, Peter Cetera and Amy Grant– In the summer of 1986, I got very involved with a youth group at one of the local churches in my home town.  I also got into CCM (Christian Contemporary Music for the heathens out there), just as it was hitting its zenith.  Amy Grant was the biggest name in CCM at the time.  As her popularity continued to grow, she began to experiment with crossing-over into popular music.  First, her Unguarded album failed to mention God anywhere, and many CCM fans noted that the songs could be as much about a boyfriend as about God.  Then, she actually released a few songs onto the secular (not Christain, again for you heathens) market.

I remember that there was actually a debate on the local radio station (KOJO, later KLTY) in Dallas as to whether her music should be played at all on their station any more.  I knew that these ideas were wrong-headed even as a pompous high school kid.  Christianity can be very divisive and counter to its own goals a lot of the time.  Here we had a young woman who could have drawn more people to their station and the religion by crossing-over into mainstream music, but the first thought was to drive her away.

It’s funny to listen to CCM today.  As sad as it has become, one thing is easy to see.  They have reversed their attitudes, and any secular song that could be reinterpreted with a positive Godly message is re-recorded by Christian Artists (almost always not as well as the original).

As far as the duet mentioned above goes, it was one of my favorites of the decade.  Cetera definitely has the lead role in the song, but Grant’s harmonies are what make it great.  She also looks good in the video.  The original version with the heavily synthesized keyboard sound was good, but there is a live version with a full orchestra that sounds even better.

3. “Will You Still Love Me?”, Chicago– Fans of any successful group in the 80s would wait on pins and needles for the inevitable news that their favorite band had broken up (or a key member had died).  The worst part was that it was often career suicide for all involved.  This, however, was not the case for Peter Cetera and Chicago.  He left the band shortly after it finished recording Chicago 17 in 1985, but both he and the band experienced great success with their next albums.  Chicago replaced Cetera with Jerry Scheff and picked up right where they left off recording great love songs and power ballads.  “Will You Still Love Me” is a great example of one of these.  Scheff actually sounds a lot like Cetera on the vocal, and the keyboard/piano led instrumentation picks up right where Chicago 17 left off.  The orchestral backing on the song sounds great, but the strings and light horns do not deliver the standard “Tower of Power” horn sound that is expected from Chicago.

2. “Doing It All For My Baby”, Huey Lewis and The News– Once again, Lewis delivered the be-bop style that his fans looked for.  I love the horns and Hammond organ sound at the beginning and throughout the song.  Lewis’ vocal is as good as ever.  Topping out at #93 on the Billboard Top 100 for the year, this song is easily the most underrated song of his career.  I have a tip for anyone who wants to hear this song.  Download it from Itunes.  The video is 7:53 long, it is horrible, and you will never be able to get that part of your life or the part of you that died as you watched it back.

1. “With Or Without You”, U2– I explained on an earlier post that I was not a fan of U2 in the 80s, and I don’t even know why.  Let me say now, that if for no other reason than their two big songs of 1987, “With Or Without You” and “I Still Haven’t Found What I’m Looking For”, they are a great band.  I committed at the start of this not to put more than one song from a given group on any year’s list, but either one of these two songs would have held the top spot in 1987.  I had a hard time choosing which one I like best, and it came down to popular culture and the inclusion of “With or Without You” in the seminal episode of Friends that made the decision for me.

Top 20 80s Pop/Rock Songs (Category)

Top 20 1980’s Pop/Rock Songs By Year (Criteria)

Top 20 Pop/Rock Songs from 1980

Top 20 Pop/Rock Songs from 1981

Top 20 Pop/Rock Songs from 1982

Top 20 Pop/Rock Songs from 1983

Top 20 Pop/Rock Songs from 1984

Top 20 Pop/Rock Songs from 1985

Top 20 Pop/Rock Songs from 1986

 

 

Top 20 Pop/Rock Songs from 1985

20.  “Careless Whisper”, Wham!– My gay-dar was working well by the time the George Michael led group came along.  This probably explains why I did not care for them too much.  However, I’ll have to admit that they had some huge hits in the mid 80s containing very catchy tunes.  The problem with Wham was that their bubbly style made them seem like a male version of the Go-Gos, and that is not a good thing.  That is why I ended up choosing “Careless Whisper” with its ballad style over their bigger hit “Wake Me Up Before You Go Go.”

19.  “Saving All My Love For You”, Whitney Houston– I tend to react negatively to hype, and Whitney got a lot of it when her voice blasted onto the scene, but even back then I could not deny that she was a great singer.  Her songs are not easy to sing along with, for the most part, because they are all a showcase for her incredible vocals.  I chose “Saving All My Love For You” over “You Give Good Love”, but they both are about the same.

18.  “Separate Lives”, Phil Collins and Marilyn Martin– This is easily one of the best duets of the 80s.  Her voice and style of singing hold up well with his as they trade off throughout the song.  It reached #1 in the Billboard Top 100, and was featured on the soundtrack to the great date movie, White Nights.

17.  “One More Night”, Phil Collins– As I did in 1984, I will treat the duet above as a group performance, and include another song by Phil Collins as a result.  “One More Night” was one of four songs that charted off Collins’ great album, No Jacket Required.  I had the album, and like most of the albums that I really liked in that era, I wore it out.  I would know any song off of it if I heard it today, and there are some that did not even chart that I liked a lot such as “Long, Long Way to Go” that featured Sting singing the backup vocals.

16.  “We Belong”, Pat Benatar– This was always my favorite Pat Benatar song.  It was a departure from her earlier ‘rocker-girl’ music and it featured a nice melody and vocal.  I’m not sure if it is a guitar or a keyboard at the beginning of the song but in any case, it is iconic, and I immediately knew the song when heard it at the end of Talladega Nights: The Ballad Of Ricky Bobby.  That scene where Sacha Baron Cohen is chasing Will Ferrell down the track is classic, and I will probably always associate this song with it in the future.

15.  “We Are The World”, U.S.A. For Africa– Anyone that was young during this era knows this song.  It was a great song, and it was great to see that many of the most popular singers in the world at that time could get together for a good cause.  If this were done today, it would undoubtedly feature Bono, which ever 80s or 90s groups were coming out with a new album, recent groups whose popularity is waning (see Britney Spears), the Jonas Brothers, Miley Cyrus and all the failed American Idol winners and finalists.  But, the original truly pulled in the powerhouses of pop music at the time.  Solos included: Lionel Richie, Stevie Wonder, Paul Simon, Kenny Rogers, Tina Turner, Billy Joel, Michael Jackson, Diana Ross, Dionne Warwick, Willie Nelson, Ray Charles, Bob Dylan, Kim Carnes, Cyndi Lauper, Huey Lewis, Daryl Hall, Steve Perry, Kenny Loggins, Bruce Springsteen, Al Jarreau, and James Ingram.  Other artists included: Randy Jackson, Marlon Jackson, Smokey Robinson, Harry Belafonte, Tito Jackson, JaToya Jackson, The Pointer Sisters, Lindsey Buckingham, Jackie Jackson, Waylon Jennings, Jeffery Osborne, Sheila E., Bob Geldof, Bette Midler, John Oates and Dan Aykroyd (odd).  Awesome.  And, it could never be done today.  What, no Bono?

14.  “The Search Is Over”, Survivor– This song continued Survivor’s string of great power ballads.  The lead vocals have a nice tone to them, and the song is easy to sing along with.  I chose it over “I Can’t Hold Back” from the same year.

13.  “Lay Your Hands On Me”, Thompson Twins– I love the whole tone to the vocals on this song, and the choral part is even better.  This song was released on their Here’s To the Future album which was the 6th album released in five years for the prolific androgynous British band.

12.  “What About Love”, Heart– Heart burst on the pop scene in 1985 with the release of their debut album, Heart.  It was a smash hit for sisters Ann and Nancy Wilson, as was their first of many hits, “What About Love.”  The band led by Ann Wison’s strong vocals was one of the dominant groups in pop music for the next few years, and was easily the biggest girl band of the decade.  Routinely, their songs are attempted by contestants on American Idol, and just as routinely, those contestants are roundly criticized because their vocals are not near as good or as strong as Ann Wilson’s vocals.

11.  “Things Can Only Get Better”, Howard Jones– Howard Jones is a great keyboardist, and I love his vocals.  All of his melodies pop, and are easy to sing along with.  I would recommend his The Best of Howard Jones from 1993 to anyone.  The backup singers, made up of the members of the female backup group, Afrodiziak (genius) sound great and help to make the song.

10.  “Money For Nothing”, Dire Straits– This is one of the iconic songs of the 80s.  It would be one of the best one-hit-wonders if the band had not had another hit, but their success never again approached the popularity of this song.  It, of course, begins with Sting’s unmistakable falsetto vocals ethereally asking for his MTV with a keyboard appropriately setting the eerie mood.  Then, the guitar bangs in with the very recognizable riff that continues throughout the song, and it takes off as a tribute to the easily attained fame and riches to be found in the music industry.  The vocals, described by lead singer Mark Knopfler as Sprechstimme, are by definition, vocals that fall somewhere between speaking and singing.  There was some controversy at the time involving the lines containing the words “chimpanzee” and “faggot”, and there were accusations of sexism, racism and homophobia leveled against the band which they denied.  The video filled with cool animation was groundbreaking for MTV, and it was one of their most played that year.

9.  “The Power Of Love”, Huey Lewis and The News– This and “Back in Time” were both featured in the 80s hit movie Back to the Future.  “The Power of Love” has all the qualities of a great Huey Lewis song, strong vocals, big band sound, and a bopping 50s-like rock and roll beat.  I remember seeing Huey Lewis in concert in the 80s.  It was one of the best that I ever saw.  He had the Tower Of Power horn section with him, and at one point, every person with the stage crew, the band and the horn section were on stage at the same time singing and dancing to their doo-wop sound with leather jackets on.

8.  “Material Girl”, Madonna– I chose “Material Girl” over “Crazy For You” and “Live To Tell” because it is the song that I think of when I think of Madonna.  The video with her playing the part of Marilyn Monroe from Gentlemen Prefer Blondes was great.  She looked sexier to me with her clothes on in this video than she did in later videos when she took them off.  Her voice has a good, if squeaky, tone to it that matches the Monroe’s vibe.

7.  “Heaven”, Bryan Adams– This and “Cuts Like a Knife” are my two favorite Bryan Adams’ songs.  I liked this song a lot because I could sing it, and it was a cool power ballad.  It still gets a lot of play, and can be heard every season on American Idol.

6.  “You’re The Inspiration”, Chicago– This is probably the most popular song Chicago ever recorded (and that is a lot of songs), but it is not my personal favorite- that would be “Love Me Tomorrow”– or even my favorite from Chicago 17– that would be the unreleased “Remember the Feeling.”  However, that does not mean it is not a great song.  Peter Certera proved, once and for all, that Bill Champlin should be a backup singer for the group with this song.  Certera left the band shortly thereafter.

5.  “Head Over Heels”, Tears For Fears– This was another great hit for the semi-androgynous British pop band.  The key board part that sounds like falling rain as it repeatedly moves down the scale let’s you know what song you are listening to from the beginning.  The lead vocals are very clean, and the backup falsetto vocals match nicely on the verses and chorus.  I chose this song over their bigger hit “Everybody Wants To Rule The World” because I like it better, but they are both great songs.

4.  “Don’t You (Forget About Me)”, Simple Minds– What a youth rebellion anthem!  I mean, it just doesn’t get any better than this.  Every child of the 80s reading this sees Judd Nelson at the end of The Breakfast Club walking away with his fist (for some reason) in the air in a defiant statement that said, “You might burn me with cigarettes, but I’m still too cool even for myself!”  The song is cool too.  It was the class song for thousands of senior classes that year (pretty much all of the classes that were not gay enough to choose “Friends” as their class song).

3.  “Can’t Fight This Feeling”, REO Speedwagon– Have you ever had a friend who you could not stand to be around when he was with his girlfriend?  When I was in college my roommate was going out with my girlfriend’s roommate (We both eventually married these ladies- I asked mine out first.  He married his first).  There was really no avoiding being around them quite a bit.  The problem was, for instance, at night as I would be watching television in our living room, he would be on the phone with her calling her pet names likes ‘Snoogums” and such.  They would get to the end of he conversation, and then would come the ‘I love you’, ‘no, I love you more’ session (five minutes minimum), and then the ‘hang up’, ‘no, you hang up’ session which rarely ended before I was contemplating ending my own life.

Then there was being with them.  You were never really with them.  They were with each other in their own little world getting as close as the clothes on them would allow, and calling each other pet names in sweet high pitched voices totally oblivious of the fact that every around them was visibly ill.  I swear.  I had to eventually sit my roommate down and explain the concept of ‘too cute’ to him.

All during this time, “Can’t Fight This Feeling” was their song.  He played it all the time.  She played it all the time.  They played it all the time.

I think it says a lot about the greatness of this song that through all of that, I still liked it.  And, here it is at #3 on my 1985 list.  It’s probably better than that even, but I hold a long grudge.

2.  “Take On Me”, A-Ha– This song is another of the great one-hit-wonder songs of the 80s.  The Norwegian pop band A-Ha, fronted by Morten Harket, used this song to feature his soaring vocals that hit before-unseen heights for a male voice in popular music.  It also has a signature keyboard part that makes the song instantly recognizable.  The video for this song was one of the most popular of the 80s featuring a sappy love story between a guy in a comic and a girl.  What made it special was its use of animation and real-life video in the same frames bringing the comic book characters to life, then having them interact with the real-life characters almost seamlessly.  The girl is very cute also.

1.  “I Want To Know What Love Is”, Foreigner– What a great song.  This may be the best power ballad of all time.  The vocals are great, and adding the gospel choir brought it to a whole new level.  The keyboard, as with most good power ballads, is great also.

Top 20 80s Pop/Rock Songs (Category)

Top 20 1980’s Pop/Rock Songs By Year (Criteria)

Top 20 Pop/Rock Songs from 1980

Top 20 Pop/Rock Songs from 1981

Top 20 Pop/Rock Songs from 1982

Top 20 Pop/Rock Songs from 1983

Top 20 Pop/Rock Songs from 1984

 

Top 20 Pop/Rock Songs from 1986

Top 20 Pop/Rock Songs from 1987

Top 100 Movie Characters of all Time

I have a friend who recently posted a list from a website calling itself ‘Premier’ that named ‘The 100 Greatest Movie Characters of All Time.’  He was shocked and appalled that Darth Vader was languishing at #84 on the list below such spares as Private Benjamin, Doctor Evil, The Dude, and a host of others.  While I agreed that this was a travesty, I quickly noticed a few notable absences from the list, and the more I looked the more great characters were simply missing from the list, while others, such as Gollum were inexplicably placed near the top of the list.

This is where the obsessive compulsive part of my personality kicked in.  I began to look at their list with a more critical eye.  The fist thing I noticed was that some of the characters seemed to be shoe-horned into the list, and often these characters were female.  I’m not trying to say that there are no great female characters in movie history, but it may be a fair indictment to accuse the industry for not writing strong female roles, especially in the early years of cinema, and perhaps just as much today.  This may well be the case, but I don’t think the cure for it is to falsely elevate existing female roles above their actual station as ir appears that Premier did (Bonnie from Bonnie and Clyde and Private Benjamin a two good examples).

I further fed my obsession by attempting to think if all the good characters that they left off their list.  I came up with another 109 examples, some more strong than others and quite a few whose omissions were simply egregious.  Then, I sat down with all 209 names and made my own Top 100 Movie Characters of all Time list.  The biggest deficiency of my list is the fact that I have not seen all of the old classics (though I am currently on a classic movie binge).  Characters like Fred C. Dobbs of Treasure of the Sierra Madre and a few others may suffer unfairly because of this, but I have no regrets about leaving a character like Ninotchka off the list because I, my family and my friends have never heard of her (shoe-horned). 

I tried to take several things into account.  How well the character endures, how much effect the character has had on popular culture, the importance of the character and whether that role or the movie it was associated with received awards while it was out.  Accepting the possible shortcomings and the obvious advantages of my list, I am putting it out, and still argue that it is much better than the list provided by Premier.  Enjoy.

1. Don Michael Corleone of The Godfather: Part II

2. Charles Foster Kane of Citizen Kane

3. Atticus Finch of To Kill a Mockingbird

4. Scarlett O’Hara of Gone With the Wind

5. Indiana Jones of Raiders of the Lost Ark

6. William Wallace of Braveheart

7. Darth Vader of Star Wars

8. Hannibal Lecter of The Silence of the Lambs

9. Robin Hood of The Adventures of Robin Hood

10. Dorothy Gale of The Wizard of Oz

11. Rick Blaine of Casablanca

12. Oskar Schindler of Schindler’s List

13. General George S. Patton of Patton

14. Captain William Bligh of Mutiny on the Bounty

15. Maximus Decimus Meridius of Gladiator

16. Cool Hand Luke of Cool Hand Luke

17. Shane of Shane

18. Marshall Will Kane of High Noon

19. George Bailey of It’s a Wonderful Life

20. Vito Corleone of The Godfather

21. Tom Joad of The Grapes of Wrath

22. Moses of the Ten Commandments

23. James Bond of Dr. No

24. Andy Dufresne of The Shawshank Redemption

25. Jake La Motta of Raging Bull

26. Forrest Gump of Forrest Gump

27. Sparticus of Sparticus

28. Captain Jack Sparrow of Pirates of the Caribbean: The Curse of the Black Pearl

29. Doc Holiday of Tombstone

30. Jefferson Smith of Mr. Smith Goes to Washington

31. T.E. Lawrence of Lawrence of Arabia

32. Ben Hur of Ben Hur

33. Jim Stark of Rebel Without a Cause

34. Rooster Cogburn of True Grit

35. E.T. of E.T. the Extra-Terrestrial

36. Batman of Batman

37. Randle McMurphy of One Flew Over the Cuckoo’s Nest

38. Frankenstein of Frankenstein

39. Spock of Star Trek

40. Spiderman of Spiderman

41. Dracula of Dracula

42. Superman of Superman

43. Harry Potter of Harry Potter and the Sorcerer’s Stone

44. Gordon Gekko of Wall Street

45. Navin Johnson of The Jerk

46. Norman Bates of Psycho

47. Gunnery Sgt. Hartman of Full Metal Jacket

48. Karl Childers of Sling Blade

49. Butch Cassidy of Butch Cassidy and the Sundance Kid

50. Dirty Harry Callahan of Dirty Harry

51. Ferris Bueller of Ferris Bueller’s Day Off

52. George Taylor of Planet of the Apes

53. Daniel E. ‘Rudy’ Ruettiger of Rudy

54. Jeff Spicoli of Fast Times at Ridgemont High

55. Tarzan of Tarzan the Ape Man

56. Jake Blues of The Blues Brothers

57. John Rambo of First Blood

58. Captain Quint of Jaws

59. King Kong of King Kong

60. Willy Wonka of Willy Wonka & the Chocolate Factory

61. Mary Poppins of Mary Poppins

62. The Terminator of The Terminator

63. Jules Winnfield of Pulp Fiction

64. Mrs. Robinson of The Graduate

65. Rocky Balboa of Rocky

66. Tommy DeVito of GoodFellas

67. Raymond Babbitt of Rain Man

68. King Arthur of Camelot/Excalibur

69. Annie Wilkes of Misery

70. John McClane of Die Hard

71. Gunnery Sergeant Emil Foley of An Officer and a Gentleman

72. Lt. Pete ‘Maverick’ Mitchell of Top Gun

73. Mad Max Rockatansky of Mad Max

74. Sandy Olsson of Grease

75. John “Bluto” Blutarsky of Animal House

76. Jack Torrance of The Shining

77. Baronin Maria von Trapp of The Sound of Music

78. Hedley Lamar of Blazing Saddles

79. William Cutting of Gangs of New York

80. Freddy Krueger of A Nightmare on Elm Street

81. Ralphie Parker of A Christmas Story

82. Max Cady of Cape Fear

83. Regan MacNeil of The Exorcist

84. Jason of Friday the 13th

85. Mrs. Doubtfire of Mrs Doubtfire

86. Carrie White of Carrie

87. Carl Spackler of Caddyshack

88. Captain Marko Ramius of The Hunt for Red October

89. Captain Hook of Peter Pan

90. Norma Rae of Norma Rae

91. Mona Lisa Vito of My Cousin Vinny

92. Sally Albright of When Harry Met Sally

93. Marge Gunderson of Fargo

94. Sergeant Martin Riggs of Lethal Weapon

95. Crash Davis of Bull Durham

96. Marty McFly of Back to the Future

97. Inigo Montoya of The Princess Bride

98. Bo ‘Bandit’ Darville of Smokey and the Bandit

99. Lane Meyer of Better Off Dead

100. Curly Washburn of City Slickers

 

Just to prove that I did my homework, here are the other 109 that were considered, but did not make the list in alphabetical order (my friend hates it when I do this):

 

Frank Abignale Jr. of Catch Me If You Can

Gust Avrakotos of Charlie Wilson’s War

Arthur Bach of Arthur

Howard Beale of Network

Hans Beckert of M

Judy Benjamin of Private Benjamin

Travis Bickle of Taxi Driver

Blondie of The Good, the Bad, and the Ugly

Frank Booth of Blue Velvet

Borat of Borat

Erin Brockovich of Erin Brockovich

Oda Mae Brown of Ghost

Truman Burbank of The Truman Show

Truman Capote of Capote

Chance the Gardener of Being There

Margo Channing of All About Eve

Inspector Clouseau of The Pink Panther

Conan of Conan the Barbarian

Frank Costello of The Departed

Jane Craig of Broadcast News

Paul Crewe of The Longest Yard

David Crockett of The Alamo

Melanie Daniels of The Birds

Daphne/Jerry of Some Like it Hot

Donnie Darko of Donnie Darko

Rick Deckard of Blade Runner

Alex DeLarge of A Clockwork Orange

Norma Desmond of Sunset Boulevard

Phyliss Dietrichson of Double Indemnity

Dil of The Crying Game

Fred C. Dobbs of The Treasure of the Sierra Madre

Lloyd Dobler of Say Anything

Antoine Doinel of The 400 Blow

Michael Dorsey/Dorthy Michaels of Tootsie

The Dude of The Big Lebowski

Lt. John J. Dunbar of Dances With Wolves

Napoleon Dynamite of Napoleon Dynamite

Wyatt Earp of Gunfight at the OK Corral

Eathan Edwards of The Searchers

Sergeant Elias of Platoon

Dr. Evil of Austin Powers

Irwin ‘Fletch’ Fletcher of Fletch

Gaylord ‘Greg’ Focker of Meet the Parents

Fogell or ‘McLovin’ of Superbad

Axel Foley of Beverly Hills Cop

Alex Forrest of Fatal Attraction

Gandalf Of The Lord of The Rings The Fellowship of the Rings

Ghandi of Ghandi

Happy Gilmore of Happy Gilmore

Jake Gittes of Chinatown

Godzilla of Godzilla

Holly Golightly of Breakfast at Tiffany’s

Gollum of Lord of the Rings

Joel Goodson of Risky Business

Aurora Greenway of Terms of Endearment

Clark Griswold of Vacation

Annie Hall of Annie Hall

Hawkeye (Nathaniel Poe) of The Last of the Mohicans

Pee Wee Herman of Pee Wee’s Big Adventure

Sherlock Holmes of The Hound of the Baskervilles

J.J. Hunsecker of Sweet Smell of Success

Mrs. Iselin of The Manchurian Candidate

Paul Kersey of Deathwish

Lt. Kilgore of Apocalypse Now

Ray Kinsella of Field of Dreams

Roger “Verbal” Kint of The Usual Suspects

Stanley Kowalski of A Streetcar Named Desire

Eric Liddell of Chariots of Fire

Harry Lime of The Third Man

The Little Tramp of Mabel’s Strange Predicament

Logan 5 of Logan’s Run

Jerry Maguire of Jerry Maguire

John Malkovich of Being John Malkovich

Terry Malloy of On the Waterfront

Jim Malone of The Untouchables

Tony Manero of Saturday Night Fever

Kevin McCallister of Home Alone

Tony Montana of Scarface

Wolfgang Amadeus Mozart of Amadeus

John Nash of A Beautiful Mind

Captain Marc Nemo of 20,000 Leagues Under the Sea

Ninotchka of Ninotchka

Danny Ocean of Ocean’s Eleven

Henri ‘Papillon’ Charriere of Papillon

Bonnie Parker of Bonnie and Clyde

Rev. Harry Powell of The Night of the Hunter

Tom Powers of The Public Enemy

Miranda Priestly of The Devil Wears Prada

Buford Pusser of Walking Tall

Matthew Quigley of Quigley Down Under

Jessica Rabbit of Who Framed Roger Rabbit?

Ellen Ripley of Alien

Ratso Rizzo of Midnight Cowboy

Rose Sayer of The African Queen

Ebenezer Scrooge of A Christmas Carol

Edward Scissorhands of Edward Scissorhands

John Shaft of Shaft

Han Solo of Star Wars

Sam Spade of The Maltese Falcon

Steve Stiffler of American Pie

Willard Stiles of Willard

Dr. Strangelove of Dr. Strangelove

Alan Swann of My Favorite Year

Catherine Tramell of Basic Instinct

Virgil Tibbs of In the Heat of the Night

Susan Vance of Bringing up Baby

Dr. Peter Venkman of Ghostbusters

Ace Ventura of Ace Ventura,: Pet Detective

Vivian Ward of Pretty Woman

Top 20 Pop/Rock Songs from 1984

1984 continues the run of great hits that came with the middle of the 1980s.  I had real problems narrowing the list down to 20 for this year.  As a result, from thus point, at least through 1986, I will give a list of songs that almost made the cut at the end.

20.  “Uptown Girl”, Billy Joel– This song was one of the many hits off his Innocent Man album.  It continues the be-bop style that was found in “Tell Her About It”.  The video featured his then wife Christy Brinkley looking very nice, and Joel as a mechanic.  It’s a fun song, and I chose it over his other hit from that year, “An Innocent Man”.

19.  “Say Say Say”, Paul McCartney and Michael Jackson– This is the third duet featuring McCartney to chart in a two year period, and the second for the team of Jackson and McCartney.  The other Jackson/McCartney song was “The Girl Is Mine”, and the third duet was the Stevie Wonder/McCartney hit “Ebony and Ivory”.  “Say Say Say” is a fun song, and it stayed in Billboard’s #1 slot for six weeks which was impressive considering the other great music that was out that year.

18.  “Here Comes The Rain Again”, Eurythmics– This is the second song from the Annie Lennox led band to make one of my lists.  It carries on many of the qualities of their earlier hit, “Sweet Dreams” including great vocals, keyboards , and a prominent use of stringed instruments (not just guitars).  Lennox’s voice has a smoky affectedness to it that makes it interesting to listen to.

17.  “I Can Dream About You”, Dan Hartman– This is definitely a one-hit-wonder from a guy I could not have named if you had paid me, but I could easily sing the song a the way through though.  It has a very catchy melody that moves along briskly and is easy to follow.

16.  “Easy Lover”, Phillip Bailey duet with Phil Collins– This is one of my top three duets of the 1980s.  The two Phils’ voices sound great together.  Collins is great as usual, and Bailey shows that he really has some pipes and range when he takes over for his verses.  For those who do not know, Phillip Bailey sang with Earth Wind and Fire before he teamed up with Collins.  He later had a solo career in Christian Contemporary Music, and finally rejoined his old band, re-billed as Phillip Bailey and Earth Wind and Fire to continue releasing music on the Christian charts.

15.  “Sister Christian”, Night Ranger– This was a great Power Ballad by a one-hit-wonder band, and recounts the coming of age of a young woman.  In the video, the band is stereotypically 80s from the hair to the dress.  The song is a very good representation of a power ballad sung by a ‘hard rock group.  It begins with a nice, soft keyboard and vocal, but by the chorus has developed into a full-fledged power ballad.

14.  “Wrapped Around Your Finger”, The Police– This is one of my favorite Police songs.  It has a subdued sultry tone that at times seems almost haunting.  The main instrument in the verses in the chime, and it sounds great as a punctuator for Stings voice.  The melody is easy to sing and memorable, and video looks great with the candles everywhere in a sort of maze.

13.  “Hold Me Now”, Thompson Twins– This is a very nice, easy to sing song by one of the many semi-androgynous British New Wave bands of the 80s.

12.  “Oh Sherrie”, Steve Perry– Steve Perry finally decided that the best way to showcase his great vocal ability was to dump his band, and in 1983 he released his first solo hit, “Oh Sherrie”.  It is a great song that begins with him belting out the first line a cappella.  The background vocals are also nice on this song.

11. “Legs”, ZZ Top– This was the biggest in a strong if hits by the iconic and very hairy guitar band.  Even their guitars were hairy, but ZZ Top was just cool.  I remember the video with that super-hot girl in it.  Nice.  I went to their Eliminator tour, and saw them on the fourth night of four sold out shows at reunion arena in Dallas.  It was great, even though they played a lot of old stuff I had never heard before.  The stage was the dashboard of the car from the video, and halfway through the show it morphed into the control panel for the space shuttle.  This concert was my first exposure to large groups of people smoking pot.

10.  “Pride (In The Name Of Love)”, U2– I have a confession.  I did not like U2 in high school.  I don’t even know why.  As a result, I do not know a lot of their stuff, but as the years have gone by, I have been confronted with the undeniable truth that they recorded some of the great songs of the 80s.  Today, I have a reason not to like them (I don’t see eye to eye with all of Bono’s politics), but I realize that songs like “Pride” are great, and deserve to be in any 80s list.

9.  “Like a Virgin”, Madonna– Madonna made my high school pants go crazy.  Her music before this “Lucky Star” and “Borderline” had a lot more of a be-bop quality.  “Like a Virgin” had a different quality, sexuality, and it worked.  Her slightly nasal voice fit in well with her new attitude.  I still remember her singing this on the VMAs while wearing a hot wedding dress.  Nice.

8.  “Shout”, Tears for Fears– This was the first mega hit for the British pop band.  It has a driving beat that I can still hear as a ‘Boom, Boom, Boom” of the rim-shots in my head as I think about this song.  It is right in a teenager’s wheelhouse with its angst-ridden lyrics that are all about expressing your rage at that age.  Oddly, the angry lyrics and beat are backed up by a very nice vocal, especially in the verses.

7.  “Drive”, Cars– The slow cool sound of this song is a departure from the normally quirky, syncopated style that the band normally put forth.  It showcased Rick Ocasek’s unique vocals, and tackles the unusual subject, for a pop song, of drug abuse.  I chose it over “You Might Think”, which is undeniably a more traditional Cars’ song, simply because I like it better.

6.  “Hard Habit To Break”, Chicago This was the second release (the first being, “Stay the Night”) from the mega-album, Chicago 17.  It featured dual vocals from Bill Champlin and the rising star, Peter Certera.  This song recaptured the more traditional Chicago big-band sound with a great horn part in the middle while retaining their new Power Ballad style that was seen on Chicago 16.

5.  “If This Is It”, Huey Lewis and The News  This was the hardest choice that I have had to make between two songs by the same band in the same year on these lists up to this point.  In the end, I chose “If This is It” over “The Heart Of Rock ‘N’ Roll” because I like to do-wap sound in the first one better than the “Rock Around the Clock” style of the second one (though as I write this, it does not sound like a very good reason).  They are both great songs, and Lewis shows his versatility by being able to sing the ballad or the rock song very well.  In the end, I’ll just flip a coin.  Heads it is, and I still choose “If This is It.”

4. “Owner Of A Lonely Heart”, Yes– Guitar is the star instrument in this progressive rock anthem by the British band, Yes, from the distorted guitar at the beginning to the long guitar solo in the middle of the song.  The vocals, provided by lead singer Jon Anderson have an almost hard rock quality which would have worked with a band such as Poison, Metallica or Def Leppard.  The back-up vocal, provided by Trevor Horn, who wrote the song, provides the familiar refrain “Owner of a Lonely Heart!” in the song.  The whole tone to his vocals is a nice contrast to the rocker sound of Anderson.  The video for this song is a surreal journey into the mind of a crazy person, and could have been a predecessor for the Fear Factor show.

3.  “Time After Time”, Cyndi Lauper– Lauper’s persona at the time was a big turn-off to me, but I’ll have to admit, she could write and sing a song very well when she really wanted to.  I still like this song today, and am pleased when I hear it on the radio or in a restaurant.  It gets tons of play, and is often heard in the score of a movie.  It has been covered on about 50 albums including artists such as Willie Nelson and Christian artist Phil Keaggy.  The most memorable appearances in movies include Romy and Michele’s High School Reunion and Napoleon Dynamite.  It was easy for me to choose this song over her other 1984 whip of a hit “Girls Just Want to Have Fun.”

2.  “Hello”, Lionel Richie– After making his mark with the Commodores’ “Three Times a Lady,” and “Still,” and again later with his smash duet with Diana Ross, “Endless Love,”  Richie released his first solo album in 1982 which included the hit, “Truly,” but was otherwise unremarkable.  In 1983, he released his super-album, Can’t Slow Down from which six of the eight songs were released and did well.  The best of these songs was unquestionably “Hello.”  It’s a beautiful love song, and the video featuring Richie who is in love with a blind woman is very memorable. 

I went to see Lionel Richie in concert when I was in high school.  It was a good show with Sheila E. singing in her underwear (hot!), and a superior technical performance when Richie took the stage.  Back then, you had to buy a T-shirt every time you went to a concert, and I bought one that was black with a big Lionel Richie face on it in some puffy raised-up synthetic paint (so gay).  I remember wearing it to Sunday night church (Sunday night was less formal in our church of about 800 regulars).  At the end of the service, I was standing there talking with my buddies when the preacher walked up to me, and tapped me on the back.  “I was just wondering who the black guy was that was staring at me the whole time I was preaching.”  I’m sure I turned red, and I was never quite sure if it was the fact that I wore a concert T-shirt to church that he did not like or the fact that there was a black man on it that he did not like.  In any case, I did not wear that shirt to church again.

1.  “Against All Odds (Take A Look At Me Now)”, Phil Collins– I know I am fudging on one of my rules by having “Easy Lover” at #16, and this at number one, but I chose to look at the duet as a different group in this case, much like I would not have a problem putting a Genesis and a Phil Collins song on the same list.  This is one of the most soulful love songs (or ‘my heart has been ripped out’ songs) that you are ever going to hear.  It’s perfect.  The piano part is memorable, and the vocal is great.  I would love to sing along with it, but I can’t make my voice do the kinds of things that Collins can.  This is another song that came on the heals of Collins’ messy divorce, and his pain is evident in the lyrics and vocal.  The song was released as the title song of a movie starring Jeff Bridges and James Wood which was a remake of an old Robert Mitchum movie called Out of the Past.

 

Here is a list of songs I liked that did not make it onto the list in 1984:

“The Warrior”, Scandal

“Almost Paradise”, Mike Reno and Ann Wilson

“Say It Isn’t So”, Daryl Hall and John Oates

“I Just Called To Say I Love You”, Stevie Wonder

“Cruel Summer”, Bananarama

“Missing You”, John Waite

“On The Dark Side”, John Cafferty and The Beaver Brown Band

“Footloose”, Kenny Loggins

“One Night In Bangkok”, Murray Head

“Joanna”, Kool & The Gang

“God Bless the USA”, Lee Greenwood

“Jump”, Van Halen

“Wake Me Up Before You Go-Go”, Wham!

 

Top 20 80s Pop/Rock Songs (Category)

Top 20 1980’s Pop/Rock Songs By Year (Criteria)

Top 20 Pop/Rock Songs from 1980

Top 20 Pop/Rock Songs from 1981

Top 20 Pop/Rock Songs from 1982

Top 20 Pop/Rock Songs from 1983

Top 20 Pop/Rock Songs from 1985

Top 20 Pop/Rock Songs from 1986

Top 20 Pop/Rock Songs from 1987

Top 20 Pop/Rock Songs from 1983

From 1983-1986 80s music hit its high point.  There was a plethora of good songs released during this four year period, and many were forced off the list that would probably have been included in previous years.

20. “She’s A Beauty”, The Tubes– I love the syncopated style of the guitar and keyboard at the beginning of the song.  The funhouse theme of the video was cool, and the woman in the mermaid suit was hot, hot, hot.

19.  “Up Where We Belong”, Joe Cocker and Jennifer Warnes– Joe Cocker has a face for radio and a voice that is the male version of Fran Drescher, but his hyper-affected style, and gravelly sound proved just right for this great 80s love song.  It was the theme song for the great movie, An Officer and a Gentleman.  The song made a clean sweep of the awards topping the charts, winning a Grammy, a Golden Globe and an Oscar.

18.  “Overkill”, Men At Work– “Overkill” is generally regarded as the best song by the Australian band Men At Work.  It was more mature than many of their early hits, but 80s music had matured faster than the band did, so even though I like it better than “Down Under”, it is further down the list in 1983.

17.  “Sweet Dreams (Are Made Of This)”, Eurythmics– This was the first big hit for the band that was fronted by Annie Lennox.  Her strong alto vocals matched well with the synthesized sound of the music.  The video is very surreal, and features the Lennox and keyboardist Robert Crash in a field with cows and cellos at one point.  This song proved that the synthesizer alone had the ability to make a song that was distinctively 80s.

16.  “Photograph”, Def Leppard– Def Leppard pulled hard rock music into the pop music genre.  They were the first (and really the only) hard rock group that I have ever liked.  Their songs were still very melodic and singable.  All you really need to say is, “One armed drummer!”

15.  “Electric Avenue”, Eddy Grant– Eddie Grant was just cool.  The synthesizer and bass give this song a disco-funk feel.  You have to move when you hear this song, and it is still played quite a bit today.

14.  “Der Kommissar”, After The Fire– This song was released the year before in German by the unknown (at that time) Falco, and it was the B-side a few years later on “Rock Me Amadeus”.  After the Fire released the song in English in 1983.  The song is still very popular today, and has been repeatedly sampled by Hip Hop artists.  Most notably it was the basis for MC Hammer’s “Can’t Touch This” in the 90s.  When I hear it, I see myself looking down at the Frogger machine at the local skating rink as I was growing up.  You could count on hearing it about once an hour.

13.  “Modern Love”, David Bowie– This is easily my favorite David Bowie song.  The beginning of the song almost sounds like and Eagles’ song, until the keyboard and Bowie enter.  The song is upbeat, toe-tapping, and the sax part is nice.  The background singers really make the song.  If I had liked Bowie more at the time, this probably would have been one of my favorite songs of the 80s.

12.  “Making Love Out Of Nothing At All”, Air Supply  This song signaled the end of Air Supply’s run, but it was a great way to end it.  The beginning with just the keyboard is iconic, and the tenor’s voice seems to go into the stratosphere.  The song is still heard often today.

11.  “Tell Her About It”, Billy Joel– The bee-bop style with the horn back-up in this song is excellent.  Billy Joel proved again that he could sing almost any style with this song.  The Rodney Dangerfield appearance in the video is nice.

10.  “She Blinded Me With Science”, Thomas Dolby– This song features a great keyboard player providing some great keyboards.  You know the song in about two notes.  It is a little quirky with the weird old man screaming, “Science!”, but that chick in the video with the violin drawn on her back may have the best figure that I’ve ever seen.

9.  “Cuts Like a Knife”, Bryan Adams– I always liked the tone of Bryan Adams voice.  This sing one of the all-time great “na-na” songs, and is easy to sing along with.  I like it better than his other hit from that year, “Straight From the Heart.”

8.  “Maneater”, Daryl Hall and John Oates– You know this song in just a couple of notes.  The baseline with the echoing, whammy keyboard sound is memorable, but the sax makes the song.  This is one of my favorite Hall & Oates songs.  According to Hall, Kelly LeBrock was the inspiration for the song.  I remember those legs from Woman in Red, and I have to admit they inspired my 14 year old hormones quite a lot.  This is another Hall & Oates song that is sampled a lot by Hip Hop groups.  I chose it over “One on One” which also charted this year.

7.  “Billie Jean”, Michael Jackson– I really did not want to put any Michael Jackson songs on the list, what with all of the pedophilia and all, but I just had to include the greatness of Billy Jean.  Most people regard it as his best song, and it carries with it the complicated issue of teen pregnancy.  The bass line and percussion part are iconic.  The addition of an orchestra made the feel of the music much deeper and less disco, than it would have seemed without it.  The song garnered two Grammies for Jackson, and the video featured the stylistic dance style that because a hallmark of Jackson videos in the next few years.

6.  “Every Breath You Take”, The Police– This is one of the best of the Police songs.  It is a little more of a vocal feature for Sting, and a lot more mellow than some of their earlier releases.

5.  “Total Eclipse Of The Heart”, Bonnie Tyler– I love this song, and it is the rare true female power ballad.  The piano is the feature instrument with a memorable four note repetition.  The piano is great but not as great as Bonnie Tyler’s vocal.  She’s incredible, and the emotion that she conveys with her vocal is moving.  The background vocal is also an important part of the song.  It is interesting to note that the song was inspired Wuthering Heights.

4.  “Faithfully”, Journey– This is the second of the two great and enduring power ballads by Journey to make it onto the list.  You can find some of Steve Perry’s best vocals on this song.  I chose it over “Separate Ways” and “Send Her My Love” both of which are great songs.

3.  “Africa”, Toto– This is the second and last great song for this band of musical ringers.  The keyboard part carries the song.  The vocal has an ethereal quality until it hits the chorus, and then it soars.

2.  “Always Something There To Remind Me”, Naked Eyes  This song and the #1 song on this list from 1983 would probably make my top ten for the who decade. They both still get a lot of play, and you can hear them almost anywhere.  The four note keyboard part is iconic, and stays in your head.  In the end, this song is just cool, and is why chose it over their other great hit, “Promises Promises” from the same year.

1.  “Come On Eileen”, Dexy’s Midnight Runners  1983 presented us with several great one-hit-wonders, including the number one hit which I consider the greatest to be the best one-hit-wonders of the 80s.  This song exposed me to my own Irish musical heritage, eventually leading me to other music like Folk Like Us, The Chieftains, Lorenna McKennitt and even Enya.  I love the sound of an Irish fiddle, and this song definitely delivers.  I liked this song so much that I eventually bought an imported album called The Very Best of Dexy’s Midnight Runners.  What could go wrong?  I mean they claimed that this album contained the very best music that Dexy’s Midnight Runners had to offer.  After listening to all 25 songs (most of which were a whip), I realized that I knew two of them, period.  They were “Come On Eileen” and the live version of “Come On Eileen”.

Top 20 80s Pop/Rock Songs (Category)

Top 20 1980’s Pop/Rock Songs By Year (Criteria)

Top 20 Pop/Rock Songs from 1980

Top 20 Pop/Rock Songs from 1981

Top 20 Pop/Rock Songs from 1982

 

 

 

 Top 20 Pop/Rock Songs from 1984

 Top 20 Pop/Rock Songs from 1985

 Top 20 Pop/Rock Songs from 1986

 Top 20 Pop/Rock Songs from 1987