Top 20 Pop/Rock Songs from 1985

20.  “Careless Whisper”, Wham!– My gay-dar was working well by the time the George Michael led group came along.  This probably explains why I did not care for them too much.  However, I’ll have to admit that they had some huge hits in the mid 80s containing very catchy tunes.  The problem with Wham was that their bubbly style made them seem like a male version of the Go-Gos, and that is not a good thing.  That is why I ended up choosing “Careless Whisper” with its ballad style over their bigger hit “Wake Me Up Before You Go Go.”

19.  “Saving All My Love For You”, Whitney Houston– I tend to react negatively to hype, and Whitney got a lot of it when her voice blasted onto the scene, but even back then I could not deny that she was a great singer.  Her songs are not easy to sing along with, for the most part, because they are all a showcase for her incredible vocals.  I chose “Saving All My Love For You” over “You Give Good Love”, but they both are about the same.

18.  “Separate Lives”, Phil Collins and Marilyn Martin– This is easily one of the best duets of the 80s.  Her voice and style of singing hold up well with his as they trade off throughout the song.  It reached #1 in the Billboard Top 100, and was featured on the soundtrack to the great date movie, White Nights.

17.  “One More Night”, Phil Collins– As I did in 1984, I will treat the duet above as a group performance, and include another song by Phil Collins as a result.  “One More Night” was one of four songs that charted off Collins’ great album, No Jacket Required.  I had the album, and like most of the albums that I really liked in that era, I wore it out.  I would know any song off of it if I heard it today, and there are some that did not even chart that I liked a lot such as “Long, Long Way to Go” that featured Sting singing the backup vocals.

16.  “We Belong”, Pat Benatar– This was always my favorite Pat Benatar song.  It was a departure from her earlier ‘rocker-girl’ music and it featured a nice melody and vocal.  I’m not sure if it is a guitar or a keyboard at the beginning of the song but in any case, it is iconic, and I immediately knew the song when heard it at the end of Talladega Nights: The Ballad Of Ricky Bobby.  That scene where Sacha Baron Cohen is chasing Will Ferrell down the track is classic, and I will probably always associate this song with it in the future.

15.  “We Are The World”, U.S.A. For Africa– Anyone that was young during this era knows this song.  It was a great song, and it was great to see that many of the most popular singers in the world at that time could get together for a good cause.  If this were done today, it would undoubtedly feature Bono, which ever 80s or 90s groups were coming out with a new album, recent groups whose popularity is waning (see Britney Spears), the Jonas Brothers, Miley Cyrus and all the failed American Idol winners and finalists.  But, the original truly pulled in the powerhouses of pop music at the time.  Solos included: Lionel Richie, Stevie Wonder, Paul Simon, Kenny Rogers, Tina Turner, Billy Joel, Michael Jackson, Diana Ross, Dionne Warwick, Willie Nelson, Ray Charles, Bob Dylan, Kim Carnes, Cyndi Lauper, Huey Lewis, Daryl Hall, Steve Perry, Kenny Loggins, Bruce Springsteen, Al Jarreau, and James Ingram.  Other artists included: Randy Jackson, Marlon Jackson, Smokey Robinson, Harry Belafonte, Tito Jackson, JaToya Jackson, The Pointer Sisters, Lindsey Buckingham, Jackie Jackson, Waylon Jennings, Jeffery Osborne, Sheila E., Bob Geldof, Bette Midler, John Oates and Dan Aykroyd (odd).  Awesome.  And, it could never be done today.  What, no Bono?

14.  “The Search Is Over”, Survivor– This song continued Survivor’s string of great power ballads.  The lead vocals have a nice tone to them, and the song is easy to sing along with.  I chose it over “I Can’t Hold Back” from the same year.

13.  “Lay Your Hands On Me”, Thompson Twins– I love the whole tone to the vocals on this song, and the choral part is even better.  This song was released on their Here’s To the Future album which was the 6th album released in five years for the prolific androgynous British band.

12.  “What About Love”, Heart– Heart burst on the pop scene in 1985 with the release of their debut album, Heart.  It was a smash hit for sisters Ann and Nancy Wilson, as was their first of many hits, “What About Love.”  The band led by Ann Wison’s strong vocals was one of the dominant groups in pop music for the next few years, and was easily the biggest girl band of the decade.  Routinely, their songs are attempted by contestants on American Idol, and just as routinely, those contestants are roundly criticized because their vocals are not near as good or as strong as Ann Wilson’s vocals.

11.  “Things Can Only Get Better”, Howard Jones– Howard Jones is a great keyboardist, and I love his vocals.  All of his melodies pop, and are easy to sing along with.  I would recommend his The Best of Howard Jones from 1993 to anyone.  The backup singers, made up of the members of the female backup group, Afrodiziak (genius) sound great and help to make the song.

10.  “Money For Nothing”, Dire Straits– This is one of the iconic songs of the 80s.  It would be one of the best one-hit-wonders if the band had not had another hit, but their success never again approached the popularity of this song.  It, of course, begins with Sting’s unmistakable falsetto vocals ethereally asking for his MTV with a keyboard appropriately setting the eerie mood.  Then, the guitar bangs in with the very recognizable riff that continues throughout the song, and it takes off as a tribute to the easily attained fame and riches to be found in the music industry.  The vocals, described by lead singer Mark Knopfler as Sprechstimme, are by definition, vocals that fall somewhere between speaking and singing.  There was some controversy at the time involving the lines containing the words “chimpanzee” and “faggot”, and there were accusations of sexism, racism and homophobia leveled against the band which they denied.  The video filled with cool animation was groundbreaking for MTV, and it was one of their most played that year.

9.  “The Power Of Love”, Huey Lewis and The News– This and “Back in Time” were both featured in the 80s hit movie Back to the Future.  “The Power of Love” has all the qualities of a great Huey Lewis song, strong vocals, big band sound, and a bopping 50s-like rock and roll beat.  I remember seeing Huey Lewis in concert in the 80s.  It was one of the best that I ever saw.  He had the Tower Of Power horn section with him, and at one point, every person with the stage crew, the band and the horn section were on stage at the same time singing and dancing to their doo-wop sound with leather jackets on.

8.  “Material Girl”, Madonna– I chose “Material Girl” over “Crazy For You” and “Live To Tell” because it is the song that I think of when I think of Madonna.  The video with her playing the part of Marilyn Monroe from Gentlemen Prefer Blondes was great.  She looked sexier to me with her clothes on in this video than she did in later videos when she took them off.  Her voice has a good, if squeaky, tone to it that matches the Monroe’s vibe.

7.  “Heaven”, Bryan Adams– This and “Cuts Like a Knife” are my two favorite Bryan Adams’ songs.  I liked this song a lot because I could sing it, and it was a cool power ballad.  It still gets a lot of play, and can be heard every season on American Idol.

6.  “You’re The Inspiration”, Chicago– This is probably the most popular song Chicago ever recorded (and that is a lot of songs), but it is not my personal favorite- that would be “Love Me Tomorrow”– or even my favorite from Chicago 17– that would be the unreleased “Remember the Feeling.”  However, that does not mean it is not a great song.  Peter Certera proved, once and for all, that Bill Champlin should be a backup singer for the group with this song.  Certera left the band shortly thereafter.

5.  “Head Over Heels”, Tears For Fears– This was another great hit for the semi-androgynous British pop band.  The key board part that sounds like falling rain as it repeatedly moves down the scale let’s you know what song you are listening to from the beginning.  The lead vocals are very clean, and the backup falsetto vocals match nicely on the verses and chorus.  I chose this song over their bigger hit “Everybody Wants To Rule The World” because I like it better, but they are both great songs.

4.  “Don’t You (Forget About Me)”, Simple Minds– What a youth rebellion anthem!  I mean, it just doesn’t get any better than this.  Every child of the 80s reading this sees Judd Nelson at the end of The Breakfast Club walking away with his fist (for some reason) in the air in a defiant statement that said, “You might burn me with cigarettes, but I’m still too cool even for myself!”  The song is cool too.  It was the class song for thousands of senior classes that year (pretty much all of the classes that were not gay enough to choose “Friends” as their class song).

3.  “Can’t Fight This Feeling”, REO Speedwagon– Have you ever had a friend who you could not stand to be around when he was with his girlfriend?  When I was in college my roommate was going out with my girlfriend’s roommate (We both eventually married these ladies- I asked mine out first.  He married his first).  There was really no avoiding being around them quite a bit.  The problem was, for instance, at night as I would be watching television in our living room, he would be on the phone with her calling her pet names likes ‘Snoogums” and such.  They would get to the end of he conversation, and then would come the ‘I love you’, ‘no, I love you more’ session (five minutes minimum), and then the ‘hang up’, ‘no, you hang up’ session which rarely ended before I was contemplating ending my own life.

Then there was being with them.  You were never really with them.  They were with each other in their own little world getting as close as the clothes on them would allow, and calling each other pet names in sweet high pitched voices totally oblivious of the fact that every around them was visibly ill.  I swear.  I had to eventually sit my roommate down and explain the concept of ‘too cute’ to him.

All during this time, “Can’t Fight This Feeling” was their song.  He played it all the time.  She played it all the time.  They played it all the time.

I think it says a lot about the greatness of this song that through all of that, I still liked it.  And, here it is at #3 on my 1985 list.  It’s probably better than that even, but I hold a long grudge.

2.  “Take On Me”, A-Ha– This song is another of the great one-hit-wonder songs of the 80s.  The Norwegian pop band A-Ha, fronted by Morten Harket, used this song to feature his soaring vocals that hit before-unseen heights for a male voice in popular music.  It also has a signature keyboard part that makes the song instantly recognizable.  The video for this song was one of the most popular of the 80s featuring a sappy love story between a guy in a comic and a girl.  What made it special was its use of animation and real-life video in the same frames bringing the comic book characters to life, then having them interact with the real-life characters almost seamlessly.  The girl is very cute also.

1.  “I Want To Know What Love Is”, Foreigner– What a great song.  This may be the best power ballad of all time.  The vocals are great, and adding the gospel choir brought it to a whole new level.  The keyboard, as with most good power ballads, is great also.

Top 20 80s Pop/Rock Songs (Category)

Top 20 1980’s Pop/Rock Songs By Year (Criteria)

Top 20 Pop/Rock Songs from 1980

Top 20 Pop/Rock Songs from 1981

Top 20 Pop/Rock Songs from 1982

Top 20 Pop/Rock Songs from 1983

Top 20 Pop/Rock Songs from 1984


Top 20 Pop/Rock Songs from 1986

Top 20 Pop/Rock Songs from 1987

American Idol Tuesday March 3, 2009, Season 8

Find my latest American Idol article here.

For the most part, last night’s American Idol presentation was pretty good.  It was nice to see the contestants singing songs that were more well known, and, for the most part, they sang them well.  There was, however, little greatness seen on the night.

Vaughn Smith- “You’re All I Need to Get By”– I thought he produced the best lead-off performance of the three shows.  That probably says more about the other two shows than it does about Vaughn, however.  He hit his notes, and it sounded good, but the whole thing came off a little like Wham does Marvin Gaye.  It just did not seem right, but he really sang pretty well.

Randy thought it was very hot.

Kara said that he was coming into his own.

Paula loved it.

Simon thought he reminded him of Clay Aiken (in a good way).  He thought that he sang the song well, but was dressed badly.

Taylor VaiFanua- “If I Ain’t Got You”– The first thing I thought was, “Why is she wearing an inner-tube on her legs?”  I thought that the beginning was a little low for her.  She hit the notes, but her tone on that part was not great.  In the end, I thought it was OK.

Kara thought that she hit her notes well, but the performance was cold.

Paula criticized her because she already had sung the song in Hollywood.

Simon thought it was very generic and bland.

Randy found it to be boring.

Alex Wagner-Trugman- “I Guess That’s Why They Call It the Blues.”– This guy made the most of his off-stage moments by showing that he has a great personality.  As far as his performance went, it was too affected, too low for him in the beginning, and came off like a guy singing karaoke after a few too many beers.

Paula found him entertaining.

Simon thought that the growling was ridiculous, and likened him to a “hamster trying to be a tiger.”

Randy thought it was wild and that he screamed it.

Kara thought that he was a fun guy.

Arrianna Afsar- “The Winner Takes it All”– For a while it was hard to tell if she was on pitch or not, but something was obviously wrong.  Then, she was definitely off pitch.  For the most part, it was a ‘runny’ mess, but she ended it strong.

Simon said that most of it was terrible, and that it was too big and dreary.

Randy said that she tried to do too much, and that vocally, it was not good.

Kara found it to be dark, depressing, old and serious.

Paula also thought that the song was too old-fashioned.

Ju’not Joyner- “Hey There Delilah”– I liked it overall.  I thought that he sang it well, and his tone was good.  However, I don’t know how memorable it was.

Randy loved it.

Kara thought it was smooth.

Paula was glad that he changed it up from Hollywood week.

Simon said that it was better than he thought it would be.

Kristen McNamara- “Give Me One Reason”– I was surprised that the song was not too low for her, and she sang it well, but it was really, really safe and did nothing to show off her voice.

Kara thought that she was a great singer, but did not choose the best song.

Paul thought that it was safe and did not show her range.

Simon said that he does not know who she is, and that, though the song choice was poor, she sang it well.

Randy thought it was an easy song, and that she tried to do too much with it.

Nathaniel Marshall- “I Would Do Anything For Love”– My first thought was, “He is going to sing that?  Oh, my.”  Then, I thought he was leading an aerobics class.  It was not badly sung, but it was no where close to being as good as MeatLoaf.  I also found it a little dry.

Simon thought it was excruciating.  He said that it was a weird song, and he had a weird look, but he was memorable and fun.

Randy found the song choice to be curious, and could not imagine making a record with him.

Kara encouraged him to pick a more serious song.

Paula thought that it was the Boy George version of the song, and that was not cool.

Felicia Barton- “No One”– I thought it was very, very good, and perhaps the best of the night up to that point.  It started well, she showed good inflection.  Her voice broke in a good way, and she looked like she belonged on stage.

Paula thought it was unbelievable.

Simon thought that the first part was better than the second part.

Randy thought she had an amazing voice and was hot.

Kara said it was good, and that she noticed her for the first time.

Scott MacIntyre- “Mandolin Rain”– I thought he had a nice tone to his voice.  He had a nice voice-break and inflection.  He was good on the strong notes also.

Randy thought he was passionate, and that the parts that were great, were really great.

Kara said that he moves mountains and sings from the heart.

Paula felt that he had blessed her with his gift.

Simon did not like the song, but said that Scott was growing on him.

Kendall Beard- “This One’s For the Girls”– I was worried that it might be too low for her, but she smartly moved the key up a little.  She was a little pitchy, but overall she sang it well.  She sounded, and looked pretty good as a country singer.

Kara thought that she had a big personality.  She also said that it was the right song, but was flat part of the time.

Paula thought that she had the best outfit.

Simon agreed that it was the right song, but was a little shrilly toward the end.

Randy thought it was a good song choice, but not her best vocal.

Jorge Nunez- “Don’t Let The Sun Go Down On Me”– The accent was weird in an Elton John song, but this guy has a really good voice.  He was the best of the night so far, and endeared himself even more with his humility at the end.

Paula said that he has worked hard, and sounds good.

Simon likes his accent, and agreed that he is a very good singer.

Randy said that it was not the perfect vocal, but it was really, really good.

Kara told him that he was a singer with a gift for touching people.

Lil Rounds- “Be Without You”– I thought she had the most professional sound and look of the group.  She was a little pitchy on the “oohs”, but her voice has a nice smoky tone to it.

Simon thought it was brilliant, but a little too close to the original.

Randy thought she was one of the best, and was glad that she kept her swagger.

Kara said she was great, and a powerhouse.

Paula called her first class.

If I had to choose who I thought would go on it would be: Jorge, Lil, and Scott or Felicia.